Red Carpet Review: 2014 Emmy Awards

Who doesn't love TV? With basic cable classics, HBO frontrunners, and those attention-grabbing Netflix shows, everyone had something to root for during this year's Emmy Awards. On the red carpet, it was anyone's games as traditional neutrals mingled with ultra bright hues. But that's not to say the night was filled with exclusively radiant looks. Did the Emmys Awards's Monday night time slot ruin your chances at watching the red carpet? Take a look at the best and worst looks of the night.

The Best.

Heidi Klum in Zac Posen: The Project Runway host tends to have more sartorial misses than hits; however, this breezy dress is perfection. The comfortable silhouette is refreshing in a world of skin-tight corset bodices, and the sleeves offer a dramatic, yet subtle, flair that makes this dress interesting. And how excited are you to see a relatively new Zac Posen silhouette on the red carpet? Weren't you getting sick of his traditional evening gowns?  Klum's beauty tactics for this look are on point: the soft waves play up the semi-ruffled sleeves, not to mention the natural makeup is stunning.

Julia Louis-Dreyfus in Carolina Herrera: Always age appropriate and ultra-chic, it's no surprise last night's winner made it onto the best dressed list. The halter neckline and poppy pink is youthful; however, the Veep star never reveals too much skin. As per usual, the funny lady is smartly dressed; however, she never fails to shine on the red carpet. And how much are you loving her shorter locks? 

Julianne Hough in DSquared: A true vision in white. Overall, the whole look perfectly juxtaposes feminine style and tomboy chic. The starlet's short, side-swept chop is counteracted by a voluminous, ultra-feminine frock. To prevent looking like an ice queen, Hough smartly paired her crisp ensemble with some dark gems.Want to rock a monochromatic like Hough? Show a little bit of skin with a sexy slit, and opt for those white pumps.

Lizzy Caplan in Donna Karan Atelier: Did you stop breathing when you saw this look? Because it is pure perfection. The silhouette and high-contrast color combination is reminiscent of an old Hollywood movie start, but the side cut-outs and halter neckline offer a contemporary twist. Similar on the beauty front, the slicked back bun is very conventional while the star's kohl-lined eyes bring back Caplan's alter ego, Janis Ian. The bold accessories are the perfect finishing touches for this ensemble. Ladies and gents, this is what red carpet dreams are made of. 

Sofia Vergara in Roberto Cavalli: An oldie but a goodie. Though the Modern Family star wears the same silhouette to every awards show, it's never a dull moment with vibrant colors or intriguing details. This time, the metallic strips offer a futuristic flair to Vergara's traditional dress. And isn't that contract between her bright red pout and white dress major? 

Michelle Dockery in Rosie Assoulin: Leave it to the Downton Abbey star to bring something refreshing to the red carpet. The regal silhouette is given an offbeat twist with high-octane stripes. Ladies on the worst dress list: this is a perfect example of how to take a worthwhile risk on the red carpet. Whether it's color or silhouette, keep one part of your outfit classic. The dainty jewels and sleek hair make this something Audrey Hepburn would wear today.

Michelle Monaghan in Giambattista Valli: Though this look is nothing extraordinary, there's something very refreshing about the simplicity of this dress. Compared to all the outrageously flashy ensembles, this ensemble is relatable and likable. Also, the modest slit offers a dash of sex appeal to an otherwise matronly silhouette. Plus, the gold and white combination definitely gives this look regal undertones. 

The Worst.

Kerry Washington in Prada: Once upon a time, Kerry Washington was Vanity Fair's best dressed woman. Oh, how times have changed. The too-tight-for-comfort orange column dress paired with an excessive use of sparkles was simply not up to the Scandal star's sartorial standards. Try saying that five times fast. And what's up with that black sequined slip? Awful. Though the emerald green eyeshadow brightened her face, the beachy waves and middle part looked sloppy instead of ethereal. 

Keke Palmer in Rubin Singer: Why yes, Keke Palmer, there is such as thing as too much dress and too much cleavage. Though the cobalt blue is absolutely striking against her complexion, a deep v-neck should be paired with a sleek column shape, not a outrageous mermaid tail. It's all about editing, Keke! 

Mayim Bialik in Oliver Tolentino: Yes, this dress is beautiful; however, it's too matronly for The Big Bang Theory star. While the funny lady doesn't have to wear a look that resembles Amber Rose's VMAs ensemble, the color, sleeves and lace were too Southern Belle for the Emmys. Nixing the sleeves or opting for a smooth fabric would've made the world's difference.

Lena Dunham in Giambattista Valli: Giambattista Valli's latest couture collection was perfectly concocted of floral prints, retro silhouettes, and a textured finale. While collection received positive reviews, Lena Dunham's interpretation scored her less-than-glowing feedback. This year, her place on the worst dress list seems almost intentional. Before you blame her curvy figure, the actual problem is that-- surprisingly, after all these years-- she still doesn't know how to carry herself on the red carpet. Nothing begs for a place on the worst dressed list like  poor posture and a pissed off face. As "the voice of our generation," shouldn't she be sporting her ensembles with some confidence? 

Laura Prepon in Gustavo Cadile: To be blunt, Prepon's look screams gothic mermaid. Not only does that reverse color situation look a little tacky, the half collar is definitely unnecessary. Honestly, does anyone ever want that much draping and excessive fabric on the red carpet? No. 

Amanda Peet in Giambattista Valli: Yet another strikeout for the French couturier. Yes, Amanda Peet is pregnant; however, that's not an excuse to dress like she's on an episode of Little House on the Prairie. The bodice ruffles and the florals? No thank you. And what is up with that hairstyle? Are the 80's back? Someone, please advise.

What did you think of these looks? Sound off below!

Photos courtesy of E! Online.

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Red Carpet Review: 2014 Academy Awards

The Oscars are a big deal. Whether you're a complete movie buff, a self-described fashion nerd, or both, this is our Super Bowl Sunday with an ultra glam, feminine twist. With remarkable movies from Dallas Buyers Club to 12 Years a Slave and A-Lister nominees, such as Leoandro DiCaprio and Cate Blanchett, this year's soiree was destined to be pretty amazing. But with some awkward accessories and man capris, there was definitely a fair share of good and bad looks. Want a second look at all memorable fashion? Living under a rock? Check out this year's hits and misses.

The Best

Cate Blanchett in Armani Privè: Everyone knows that the Blue Jasmine starlet can do no wrong; however, this Armani Privè gown is seriously major. The relatively bare neckline is refreshing after a season of lace collars and halter necklines. Blanchett's cutting-edge sartorial reputation is beautifully mixed with a feminine aesthetic. The thoughtful embellishments, pastel earrings, and soft curls are both cohesive and elegant. Even though the nude hue may blend into the actress's skin tone, the mesmerizing texture is a game changer.

Julia Roberts in Givenchy: Though the August: Osage County star has never been known for her ultra chic fashion choices (except for the Valentino), this is quite incredible. Not only is this lace number age appropriate, and far from matronly, it's a classic example that black can be show-stopping in a sea of sequins, jewel tones, and neutrals. The lively peplum is perfect for hiding any potential problem areas, and the plunging (but modest) neckline revitalizes the little black dress. Oh, and let's not to forget to swoon over her beauty regime. California blonde locks and a smokey eye are absolutely ideal with this look. 

Kate Hudson in Versace: Behold: the flower child's version of Gwyneth Paltrow's famous cape dress.  It's been a few years since Hudson has graced the glamorous carpet, and her award show comeback was a major success! Though the plunging neckline, which was a major trend on this red carpet, the cape gives this ensemble a sophisticated twist. On the beauty front, Hudson sizzled with the Jessica Rabbit-approved locks. J'adore.

Naomi Watts in Calvin Klein: The Impossible star is not one to sport a vibrant colored dress; however, she always looks great in metallics and neutrals. Luckily, this ceremony was no exception. The textured fabric energizes the otherwise minimalist ensemble. Undeniably, what makes this outfit truly something spectacular is the use of geometric accessories. The art deco statement necklace is perfectly paired with an edgy, semi-quilted silver clutch. Not to mention the straight locks and berry lip make her look insanely chic. But then again, when isn't Naomi Watts the epitome of chic?

Jennifer Lawrence in Christian Dior Couture: Finally. With the exception of her SAG Awards ensemble, Lawrence's awards season style was a bit, erm, lacking. Who can forget that tragic Golden Globes fiasco? However, this look screamed one thing: she's back. Since she tends to wear many princess silhouettes, it's refreshing to experience a transition to clean, sophisticated shapes. The vibrant red hue and defiant hair are very "power woman" while the peplum keeps this look fun and feminine. For a finishing touch, the American Hustle sports a matching lip and fierce necklace. Brava! 

Kerry Washington in Jason Wu: Well, the Scandal star definitely redeemed herself from the Golden Globes. This whole look perfectly meshes gothic glam and ethereal beauty. Washington rarely wears dark hues, especially purple, so this color choice was a pleasant surprise. Paired with the vampy lip, this look is risk; however, it works! The airy silhouette is the perfect way to show off her beauty. And that hair? Brings the whole look together. Welcome back, Kerry, I've missed you. 

Lupita Nyong'o in Prada: Move over, Beyoncè: there's a new flawless chick in town. Just out of curiosity, can the Academy Award winner do any wrong? She's completely killed it the entire awards season, and gave us the perfect princess moment at the Academy Awards. First of all, this Nairobi blue looks phenomenal with the actress's skin complexion, and the fluttery silhouette is something completely different for the budding fashionista. Though a plunging neckline is normally scandalous, she has a certain body type that makes this neckline look 100 percent fashion. Nyong'o smartly accessories with delicate jewels and a girly headband.

Sandra Bullock in Alexander McQueen: A vision in midnight blue, it seems as if Sandra Bullock masters every red carpet she steps on lately. Not only is this gorgeous hue extremely refreshing, the soft draping in the front is absolutely impeccable. As for accessories, the Gravity actress proved that less is more with a simple bangle and ear cuff. 

The Worst

Emma Watson in Vera Wang: Doesn't this look a bit mumsy? The starlet is known for sporting cutting-edge ensembles; however, this dress falls flat. Not only is this color palette extremely dull, the hair is messy, and not even a stylish messy. And where are the accessories? A dress that plain deserves a statement necklace or an amazing ear cuff.As a young, bonafide fashionista, this is too safe. Show some skin! Play with textures! Do something to amuse us! Anything!

Margot Robbie in Saint Laurent: There's gothic chic, and then there's gothic creep. The dark hair, noir dress, and vampy lip--it's just way too much for the pale skinned actress. And to top it all off, this dress is so basic! A strapless black dress? Groundbreaking. How did this go so wrong? Robbie aced the Golden Globes! A note for the future, Margot, opt for a lighter dress when darkening your hair! She would've looked amazing in a blush Elie Saab number.

Liza Minelli: I don't care who you are: streaky hair and a matching cobalt blue top and pants situation is never okay. And I seriously mean never.

Pharrell Williams in Lanvin: I will be the first to admit that I love the "Happy" singer's style risks, but capris to the Academy Awards is just unacceptable. Actresses don't even flaunt that leg (with the obvious exception Angelina circa 2012). Save showing off your leg tattoo for the summer or next year's Grammys! A printed pant or metallic sports coat would've been the perfect way to take a style risk. That being said, I think I can speak for everyone when I say I'm relieved the hat made a comeback. 

Amy Adams in Gucci: A classic case of "right dress, wrong accessories." Though the American Hustle star looks absolutely radiant in this navy dress, the accessories are all wrong. Kitschy pink jewels mixed with a chunky gold cocktail ring? No thank you! This look would've been on my best dressed if she chose canary golden or emerald jewels. 

Angelina Jolie in Elie Saab: Well, this outfit just aged herself 12 years. Though Elie Saab couture gowns are usually a surefire way to score a spot on any coveted best dress list, this looks awfully matronly. It's like the Versace gown's old, serious mother. But naturally, the megawatt star's makeup is seriously perfection. 

Olivia Wilde in Valentino: As much as this pains me, it's yet another case of "right dress, wrong accessories." The silhouette and white detailing is undeniably chic on the very pregnant Wilde, but the clashing jewels are terrible. Layered bangles, statement earrings, and a chunky cocktail ring? Way too much! Let it be known that accessories make or break any outfit. Coco Chanel once declared that all classy women must take off one accessory before they leave the house. Olivia Wilde, you are no exception to this rule. 

Agree? Disagree? Sound off below!
Photos courtesy of Vogue.com

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