Red Carpet Review: 2013 Emmy Awards

Okay, so maybe nobody took my style advice--thanks a lot, ladies. Le sigh, maybe next time. Though Heidi Klum sported that structural Versace Atelier instead of Emilia Clarke, I must say that this red carpet was well-stocked with jaw-dropping ensembles. But for every amazing outfit was a cringe-worthy dress. Behold, my best and worst dressed lists.

The Worst

Cat Deeley in Armani: Well, this is just tragic. Though it's difficult to sport an entirely sequined dress, the thought-provoking silhouette and sexual cutouts made this ensemble horrid.  By the looks of this, Deeley also isn't happy about this. I rest my case.

Claire Danes in Armani Prive: As much as I adore this collection, this couture frock is simply not Emmys appropriate. It looks like Danes A) is extremely malnourished, B) is a five year-old playing in her mother's clothes, C) had one too many cocktails, or D) all the above. As sexy as deep v-necks can be, this just looks sloppy! All in all, this dress just looks too big on her.

January Jones in Givenchy: Is this some sort of joke? While there isn't anything necessarily wrong with this dress, the whole getup is so dreadfully plain. Where are all the accessories? Why is this something I feel like a grandmother should wear? I'm so confused.

Julianne Hough in Jenny Packham: Though I love the beachy waves, this dress is just atrocious. The dropped shoulders is so Grecian chic, but I think someone forgot to line Hough's dress. As much as I love the real runway looks, it's imperative to make alterations for the red carpet. Or perhaps she was trying to make Ryan Seacrest jealous...

Sarah Silverman in [insert weird response to Ryan Seacrest here]: I'm sorry, are we going to a cocktail party? Though this ensemble would be perfect for happy hour, it's not event-appropriate. And that hot pink lip? This is just too much.

Lily Rabe in Vionnet: As much as I love sartorial drama,  this ensemble has left me cringing. First of all, I just can't stand ruching. Period. Also, there's something extremely tasteless about the dual-toned color scheme--it looks like they had to add extra fabric.  Last but not least, the dark lip and nails are just way too shocking. Make it stop!

Amanda Peet in Erdem: As much as I love Erdem, this look...there are no words. I mean, she just looks sad, confused, and a little tasteless. I simply can't.

Lena Heady in Alessandra Rich: This look would've been great if the Game of Thrones star chose a different pair of shoes. I adore the sexy slit and the sheer is more elegant than Peet's Erdem disaster; however, I can't look past those shoes.

Aubrey Plaza in Marios Schwab: Is funeral chic a thing now? The tan dress with black lace overlay is quite terrible, plus I don't know what to think of the sequin embellishments. Perhaps this frock would've looked better on someone else; however, it's just too much dress for her petite frame.

Lena Dunham in Prada: This is just upsetting. Horrid floral print aside, this gown is simply not flattering on the Girls genius. The long hemline plus full skirt is a recipe for disaster. In fact, it adds a couple pounds. Hopefully, Dunham will hire a new stylist-- ahem, my Lanvin idea would've been perfect!

The Best

Julia Louis Dreyfus in Monique Lhuillier: Perfection on the red carpet, the Veep star shined. The neutral hue works lovely with her dark, luxurious locks. Since this dress's beading is so intricate, Louis Dreyfus smartly opted for minimal accessories. Age-appropriate and sophisticated, the Emmy winner may be my favorite look.

Michelle Dockery in Prada: Without a doubt, this is the best use of red on the red carpet--yes, this includes the carpet itself. Dramatic in the most minimal way possible, the gown resurrects the feminine aesthetic. I just adore the dramatic skirt and fabulous halter tie, not to mention the dual tone is pure genius. Dockery finishes this supreme look with an embellished clutch. So maj!

Allison Williams in Ralph Lauren: Though I still stand by my Valentino couture pick, the Girls star looks absolutely radiant in this cobalt blue number. For a finishing touch , the traditional shape is juxtaposed with thick, minimalist jewels. The result? A perfectly clean getup.

Julie Bowen in Zac Posen: Leave it to Zac Posen to create something so structured, gorgeous, and glamorous that  the Modern Family actress could not resist. Since the design is a little over-the-top, Bowen oped for simple jewels and a girly clutch. The modern updo allows this amazing dress to take center stage; however, Bowen's confidence prevents a classic "the dress is wearing her" moment.

Kerry Washington in Marchesa: She may not have won the Emmy, but she definitely beat Claire Danes on the red carpet. Never afraid to take a risk, Washington tried her luck with flower power. Luckily, it paid off. A far cry from her other structured looks, Washington looks absolutely gorgeous. The nude color palette is absolutely beautiful on her and I love the soft curls. Brava!

Rose Byrne in Calvin Klein Collection: Sweet Francisco Costa, this is pure perfection. The summery coral offers the ideal dash of feminine flare to this otherwise modern ensemble.Take note, everyone: this is how you show some skin. Byrne finished this look with simple jewels and totally retro locks. This tasteful number only reestablishes my love for the actress's style.

Morgan Saylor in Honor: Black, white, and chic all over, the Homeland star absolutely nailed it. The geometric color-blocking, as well as Saylor's long locks, gives this gown a youthful twist. To make a lasting impact, the red lip and sleek clutch do the trick!

Kiernan Shipka in Delpozo: Can we just take a moment to reflect on how glorious this look is? I mean, leave it to the Mad Men star to sport a dress from the hottest brand of the moment. The floral applique is unapologetically girly while the graphic top is super eye-catching. Since Shipka is the sartorial "Queen Bee," she knows to keep this look clean with minimal jewels, simple heels, and a sleek ponytail. Why is she so perfect?

Taylor Schilling in Thakoon: Orange, white-- the starlet looks great in every color. Though a column dress with a halter neckline is nothing new, the silt and side cutouts make this dress sartorially superior. And the gold gems? How elegant! Can't wait to see what Schilling wears when Orange is the New Black wins every awards next year...too far?

Which outfits did you love? Which ones did you hate? Sound off below!

All photos courtesy of The Huffington Post.

xx

2013 Screen Actor Guild Awards: Revenge of the Glam (Sort of...)

Every year, the Screen Actor Guild Awards serve as a terrible tease. Placed right between the Golden Globes and the Academy Awards, the SAGs is the neglected middle child of awards season. Most years, the fashion is always less-than-perfect, but groupies had something to rejoice about as their favorite superstars rocked this red carpet. At the same time, others fell victim to my "take no prisoner" criticism. So let's get this show on the road, shall we?

The Worst

Jennifer Lawrence in Dior: Simply stated, I'm not impressed. Though her hair and makeup look phenomenal, this ensemble is painfully basic (especially when you end up winning a SAG award). The jewelry is so simple, it's essentially irrelevant and that two-part dress is anything but flattering. Also, why would you wear such a complicated ensemble when you know there's a big chance you will have to stand up to accept an award. Riddle me that, Girl on Fire.

Morena Baccarin in Basil Soda: I'm requesting a moment of silence to reflect on that tragic, unnamed incident that shredded Baccarin's dress. Wait...that never happened? Awkward. Without a doubt, Baccarin is obsessed with the designer; however, it's important to know when an addiction has gone too far. This dress? Too far. Deconstructed dresses can look cool, but the Homeland star looks like she just came back from showgirl gig in Vegas.

Ariel Winter in Alex Perry: Is it just me or does Ariel Winter look like she borrowed the dress from Helen Miren? This up-and-coming red carpet fixture usually wows onlookers with youthful and sophisticated outfits; however, this Alex Perry creation makes her look old. And not in a good way. I think she's absolutely adorable but wish that she wore something with a bit more pizazz. On the bright side, her hair and makeup is lovely!

January Jones in Prabal Gurung:  While I adore both January Jones and Prabal, this look is absolutely tragic. Between the high ruffled neck and the defiant hair, her outfit is reminiscent of a colonial man. Though I appreciate how she always dresses outside of the box, nobody should sport crazy hair with a crazy dress-- you will just look crazy. Period. 

Kaley Cuoco in Romana Keveza:  When I first saw this ensemble , I thought Kaley finally did something right. "Reminiscent of Emma Stone's 2012 SAG ensemble," I concluded. And then I saw the bottom, which is absolutely tragic. But are we surprised? The Big Bang star consistently tops my worst dressed list. That hemline makes her look abnormally short and don't even get me started on those bangs. Please save her! 

Rose Bryne in Valentino: To be rather blunt, there is nothing good about this look. What happened? Rose Bryne is always one of my red carpet favorites and while I always admire her fearless ensembles, this Valentino look marks her sartorial "rock bottom." Forget about that tragic print for a second and just focus on that horrid shape. "Everyone loves wearing side ruffles," said no one ever. Unfortunately, those harsh waves and that poppy lip only make matters worse.

Helen Hunt in Romona Keveza: Over-accessorizing isn't always a good thing.

Lea Michele in Valentino: Once upon a time, Lea Michele ruled the red carpet. She wore casual Catherine Malandrino and glitzy Marchesa. Those were the days. As Glee's decline began, the diva's relevance (on the red carpet and otherwise) decreased as well.  Though she tried to wow us in Valentino, I'm anything but moved. First of all, why would she sport Schiaparelli pink when she already had a rockstar moment in that pink Oscar de la Renta number years ago? Do me a favor and pick a different hue. I suggest eggplant. And no accessories?! This outfit is too basic to go au natural, not to mention the feminiene silhouette prevents any sort of "minimalist look." But the biggest problem with this look? The hair. Don't be fooled-- this is not ombre. It looks as if Michele colored her tips, which is something boys in my third grade class did. For shame, Lea Michele, for shame! 

Marion Cotillard in Dior: Though her courage to wear a full silhouette is admirable, this Dior number disappoints in execution. For me, this ensemble's flaws rest in the simplicity of the accessories-- minimalism is simply not plausible when you are sporting a full skirt. While the simple black pumps would be chic with a sleek sheath, they serve as an anticlimactic finale here. Plus, Cotillard's nonchalant bob looks too casual for this gown. The French actress consistently aces every ensemble, so let's hope this is a one-time mistake.

The Best

Nicole Kidman in Vivienne Westwood: Simply stated, Kidman's sartorial choices improve with age. The Paperboy star keeps it youthful in this column dress. Not only is the shimmery applique every fashion snob's fantasy, that high slit gives Angelina Jolie's infamous ensemble some competition. To balance such a potent gown, Kidman ditched the glitzy accessories and opted for a simple pair of strappy sandals.  The super slick hair is progressive and fresh, albeit the middle part is a little harsh. Just divine! 

Julie Bowen in Johanna Johnson: A leather-esque dress? Though it sounds like something a dominatrix would wear, I'm sort of obsessed with it. I love the contrast between the harsh fabric and a girly silhouette. If you weren't completely in love with this dress, the bejeweled sleeves (which makes this sound like a disaster from the 1980's) give this dress a tame touch. From pantsuits to leather dresses, Bowen never fails to try something new.

Sarah Hyland in Dolce & Gabbana: It seems as if Sarah Hyland is enduring a style evolution. Over the past few award shows, the Modern Family starlet has shed her princess-esque silhouettes and opted for vixen-approved silhouettes. And for the record, it totally works. While this body-hugging dress epitomizes maturity, the jewel tone hue and funky print keep this look age-appropriate. The red carpet rockstar also keeps this look youthful with a relaxed ponytail and a trendy midarm bangle. Amazing.

Kelly Osbourne in Jenny Packham: Never a sartorial wallflower, the Fashion Police co-host entered the red carpet with guns blazing. And by guns, I mean a rampant collection of spikes. As an avid lover of edgy glamour, I'm smitten with this look. Though Osbourne always rocks extravagant frocks, I must say that she nailed it on Sunday night. The tough bodice and clutch are perfectly balanced by the basic silhouette and plain train. To pump up the drama, Osbourne added a bright red lip. The only thing that's wrong with this look is the hair. I'm all for creativity,but  her hair's ridiculous hue is getting old.

Eddie Redmayne in Hugo Boss: I originally hated this ensemble because I saw a very unflattering image. I know, how could you find a bad picture of the Les Miserables hunk? But after looking at this outfit more, I'm absolutely obsessed. The suit is perfectly fitted, plus I love how Redmayne took such a fashion risk by wearing a brown textured suit. Swoon.

Kerry Washington in Rodarte: She has been shutting it down this awards season. But doesn't everyone know that? In my opinion, this look is amazing because it focuses on contrast. I love how crisp the white looks against her skin. I love how inspired that structured bodice looks with the lace train. And I especially love how the sleek updo contrasts the complicated Rodarte ensemble. With Washington's recent stretch of sartorial homeruns, I cannot wait to see what she'll wear to the Academy Awards.

Kiernan Shipka in Oscar de la Renta: I'm usually not so decisive when it comes to my absolute favorite look of the night, but this one is literally the greatest thing that has ever been aired on TBS. Yes, I went there. Polished and age-appropriate, Shipka is absolutely a vision in blush. Not to mention the jewel details on the dress offer a dash of childhood creativity. For a clean look, Shipka keeps her accessories to a minimum and sports a head of soft waves. I seriously see no flaws-- it's almost painfully perfect.

Photos: Courtesy of The Huffington Post and US Weekly.

xx