Last, But Not Least: Paris Fashion Week

The end of the fall collections is always bittersweet. No more new looks but, as a blogger, I'm excited to share more fashion adventures with you. Not only is Paris the end of the fashion week extravaganza, it's also extremely prestigious. I cannot tell you how many times I've looked through the Paris collections and thought, "This isn't PFW worthy." Unlike the other three countries, Paris Fashion Week- in my mind- celebrates fashion as artistic and sophisticated. Ready for my absolute favorites?

Alexander McQueen

I'll be the first to admit that this collection is not wearable. But then again, when is Alexander McQueen wearable?! Sarah Burton continues to carry on McQueen's extravagant legacy. Burton wows fashion fanatics with the use of varied silhouettes. Yes, this collection pushes the envelope (one may think too far), but every fashionista and fashionisto can respect the execution and innovation. When it comes to McQueen, you can expect to be blown away. (Photo Cred)

Elie Saab

Just when Elie Saab was starting to get predictable, he gives us a fabulously dark collection. As much as I love all of his collections, Saab strayed away from the girly dresses and gives us an alternative way to look at sparkly style. Saab also stays away from poppy colors this fall and sticks to rich, muted hues. His two toned pieces give them depth, sophistication, and edge. I'm so smitten with his use of peplum: the execution and size of each peplum exudes femininity. Don't think all this femininity means no sex appeal: that high slit is incredible. Additionally, this collection also exhibits sexy, new techniques. Let's be honest: Elie Saab can do no wrong in my mind. (Photo Cred)

Chalayan

In my mind, there's a difference between "strong and clean" collections and "pure minimalism."  Minimalism, in my definition, is usually composed of neutrals and provide no statement or "wow" factor. An example of a strong and clean collection is Chalayan's. Although I'm no jock, the athletic-infused pieces of this collection are conversational. The bold colors, paired with simplistic silhouettes, add strength. Just when you thought these silhouettes were over-done, the finale look happens. Enough said. (Photo Cred)

Christian Dior

Once upon a time, Christian Dior's "New Look" redefined fashion, femininity, and the brand itself. Seen in previous collections, it seems like Gaytten is searching for a "New Look" revival. Gaytten gives us a subdued take on this theme. For example, the belts add some modernity to the array of full skrits and fitted jackets. The muted color palette complements the occasional black pieces: they both work together to create a retro and feminine vibe. Thankfully the bright, high-impact finale dresses give us that sexy glamour that everyone craves.  (Photo Cred)

Mugler

Like McQueen, most of these pieces aren't wearable: the sleeves are definitely  too intense for some, while other looks are a little too risque. Nevertheless, I love this collection. The transition from cozy whites to harsh blacks is flawless and aesthetically pleasing.  Even the deconstructed component of this collection is well executed and exudes innovation. Also, I do have a thing for futuristic shoulders.(Photo Cred)

Balmain

Usually, I'm comforted by Balmain's predictable  collections: structured minidresses that have a hint of futuristic. Sure, this collection has a healthy dose of the label's staples; however, Olivier Rousteing also supplies us with some forward-thinking pieces. Sleeveless jackets? Yes please! Unlike previous collections, the silhouettes aren't as fitted. Even the looser suits create a nonchalance and casualness that I enjoy. Fun prints and detailing finishes off this new found love for comfortable silhouettes. Major want. (Photo Cred)

Carven

I have yet to go to Paris; however, I know exactly what I'm going to wear when I do: Carven's Fall 2012 RTW collection. Sounds weird, right? In my mind, there's something about this collection that exudes youth and Parisian style. The silhouettes are pretty basic: straight, sleek, and exactly what I would expect a Parisian fashionista to wear. Guillaume and Hieronymus then incorporate bold colors and ethereal paisleys to de-sophisticate it. This struggle between sleek chic and quirky funk makes me want to wear each piece while sitting at a super luxe cafe.  (Photo Cred)

Yves Saint Laurent

In this industry, you're only as good as your last. With Stefano Pilati leaving Yves Saint Laurent, it's time to evaluate his work at the fashion house! Like many other designers, Pilati embraces the sexy, leather trend. The execution and cut of the leather pieces give this trend a refined and elegant twist. The edgy mesh looks are also to die for: they're forward-thinking, but are paired with simplistic pieces to calm them down. His long dresses and pantsuits are reminiscent of something Yves Saint Laurent himself would've designed. The common bold lapels tie all of these different looks together and gives the collection cohesiveness. Though I never obsessed over Stefano like I do with Alber, Jason, or Prabal, I will say this was a great way to end his career. (Photo Cred)

Gareth Pugh

 

Sure, Gareth Pugh is not always my favorite designer; however, I'm drawn to this collection. Surprisingly, some of the jackets and dresses are wearable. Like that fringe dress? I would love to wear that one night and paint the town red. Other looks are obviously more avant garde. Even still, the execution is supreme. Also, I'm in love with the use of capes. How fabulous?!  When it comes down to it, I like this collection because it's thought-provoking. (Photo Cred)

Chloé

From soft pastels and use of lace to rugged silhouettes, Chloé gives us an androgynous take on feminine clothes. Sounds like an oxymoron? Well, to people who haven't seen this collection, it probably is. However, this juxtaposition is probably the best way to describe this collection.While the pieces could've been put together to create an innocent look, the mismatched and indifferent styling of this collection creates this tension between edgy and gentle. As a result, we see separates that can be sophisticated or youthful. It's this versatility that makes this collection strong and agreeable.  (Photo Cred)

Giambattista Valli

Like many fashion girls, I love me some drama. Not in the petty Laguna Beach style, obviously: I long to be excited by clothes' dramatic aspects. From stunning collars, to plunging necklines, to floor-length show stoppers, Giambattista Valli gives us just that, But don't expect sequins galore or anything: here, Valli offers a casual, yet dramatic, collection. The patchwork throughout the collection demands attention; however, makes each ensemble more casual. The silhouettes are simple enough, yet Valli includes popping colors or a dash of drama to spice each look up. I love how he sneaks in feathers in his looks: that Valli is a tricky one. (Photo Cred)

Haider Ackermann

Though my constant talk about silhouettes may be annoying, the cut of a piece is crucial. In my opinion, it can sometimes be more crucial than the fabric. The array of silhouettes- here I go again- from Haider Ackermann's Fall 2012 RTW really made me love this collection. Whether it's an extravagant neckline or  an accentuated hips, Ackermann really shows us how innovative a collection can truly be. Each look was exciting and that's what fashion should be. Wise words by me: you know something in fashion should be extinct when it becomes boring. Quick side note: who wouldn't want those metallic pants? (Photo Cred)

Lanvin

To add to the list of weird things I compare Lanvin collections to, Fall 2012 RTW reminds me of a buffet. Alber Elbaz incorporated everything I could possibly want to wear this fall. Fun pops of color? Check. A healthy dose of peplum? Oh it's there. Beautifully tailored, gothic pieces? In an array of silhouettes and textures! A gilded quasi-brocade? Of course! Army green? It'll look amazing with a light pink lip. Funky graphic pieces? Thank the fashion gods, because I could simply not survive fall without them. I love this collection because it doesn't overdose on one trend: instead, each trend flawlessly meshes into the next one. As a result, we get a realistic collection. On a side note, I cannot express how much I love Alber : he's such a genius, not to mention the cutest little thing to walk a catwalk.  If I could befriend any designer, it would probably be Alber.(Photo Cred)

Stella McCartney

It seems as if every fashionista ditches color once the first leaf floats to the ground. If Stella McCartney shows us anything in her fall collection, it's to embrace color this fall. Stella doesn't give us time to contemplate or ease into color: her first look gives us a shocking pop of cobalt blue, thus demanding attention and respect. I'll be the first one to say that I love wearing black all year around; however, it's time for all of us to break out of our fashion shells and take some colorful risks. She offers fun colors and quirky fabrics together: how's that for some colorful risk?  I love how she pairs the cobalt with dainty patterns and flirty silhouettes, which ultimately makes the blue richer and feminine. However, Stella does include some black for those of us who can't part from our favorite gothic hue.(Photo Cred)

Valentino

I would love to meet the one person out there who claims to hate Valentino and smack them silly. Seriously. Although Valentino Garavani is no longer calling the shots, you can't deny that the brand still has this agreeable, yet elegant,  energy. Maria Grazia Chiuri and Pier Paolo Piccioli continue to create glamourous pieces. According to the fashion gods, he (or she) who can make a modest jumpsuit desirable reigns superior. As a whole, this collection is exciting, versatile, and well-executed. Most of these pieces can stand alone and create stellar clean, yet expressive, ensembles or they can act as neutrals.  That versatility, paired with a dash of innovation, gives us fashion fanatics exactly what we want: timelessness. The detailing and extravagance of the finale dresses supply the drama that every fashion house should deliver. Can we quickly chat about the excessive use of leather? Am I sensing a top trend for the fall?(Photo Cred)

 xx

When in Milan

Regardless of the trend or sources of inspiration, Milan Fashion Week always epitomizes luxe style. This season, Milan gave us an understated extravagance and gothic glam. Sounds like an oxymoron, right? After looking at these collections, I have a sneaking suspicion you'll feel the same way.

Aquilano. Rimondi

I don't know if it's the overtly feminine silhouettes or the fact that the prints resemble stained glass, but this collection gives me a gothic feeling. From outerwear to cute little dresses, Rimondi and Aquilano embrace the idea of a glamourous and feminine woman. The play with different fabrics is absolutely gorgeous and gives the ensembles a little more depth. Each ensemble has these gorgeous details that are simply out of this world.Surprisingly, the two designers have a healthy blend between sartorial pieces and girly separates. This whole collection reminds me of a more gothic version of Baz Luhrmann's Romeo and Juliet. (Photo Cred) 

Prada

In my mind, this collection is the perfect RTW collection to follow Prada's previous one. The retro-inspired silhouettes and the use of busy prints is so reminiscent of Miuccia's spring RTW collection. Of course, the two collections are not carbon copies of each other: this fall collection includes darker colors and longer sleeves.Even the use of pantsuits show progression from the Spring RTW collection. It seems like Miuccia is telling us a story about femininity and I like it. (Photo Cred)

Blumarine

There's something so extravagant about this collection- a la 90's flashy glam- that I'm mildly obsessed with. Though some people may look at the extremely colorful fur with disgust, I love it. Obviously, I would never wear some of these pieces; however, I admire the unapologetic flashiness of this collection. Ironically enough, they do add some extremely polished pieces to this show.Is it weird that I secretly want to wear that sparkly suit to an interview? (Photo Cred)

Dolce and Gabbana

This collection encompasses two different kind of femininity: sexy womanhood and girlish florals. Although these two types of femininity seem like night and day, the use of lace and similar silhouettes throughout the collection link the two themes together.On a side note, Domenico and Stefano have the ability to use lace in a progressive and fun way.Besides the lace, the two designers used other detailing and appliques perfectly. Yes, perfectly.Let's be honest, this designing duo is perfection. (Photo Cred)

Versace

Like Aquilano. Rimondi, this collection has a very gothic- Baz Luhrmann aesthetic. However, this collection has more emotional roots, like Gianni Versace's last collection before his tragic death. Of course, in true Donatella fashion, this collection offers optimism with it's cheery yellows and oranges. Also, that sequin piping? Phenomenal. (Photo Cred)

Trussardi

Usually, I'm not a fan of androgynous fashion; however, this is a fun take on the trend. The clothes have a sense of masculinity, but their sartorial lines aren't butch. The interesting mix of color and fabric is refreshing.  For some reason or another, this collection appeals to me. I can picture a lot of these pieces working fabulously as separates. Also, I love the way this whole collection is styled: the offbeat monochromatism gives each piece more depth and wearability. (Photo Cred)

Salvatore Ferragamo

I can confidently say that Massimiliano Giornetti successfully incorporated two opposite ends of the spectrum in one collection: the corporate betch (one of my favorite ways to dress) and the bohemian. To lessen the randomness, Giornetti incorporates strong silhouettes with the bohemian fabric. Additionally, there are also bohemian silhouettes in black. Then to top it all off, Giornetti throw a little bit of equestrian. For the record, those structured equestrian jackets are to die for. I think  I love this collection because Giornetti somehow incorporates all of these looks but orders them in such a way that doesn't make the variety awkward or arbitrary. This collection reflects how I feel about personal style: you should never restrict yourself to one category of personal style. Bravo, Giornetti.(Photo Cred)

Bottega Veneta

To be perfectly honest, I didn't love the first half of this collection. There's nothing wrong with clean silhouettes and pops of pretty hues; however, it's nothing to swoon over. However, this collection's evening wear is too good to ignore. It all started with the feathers: anything that incorporates a halter top and  feathered skirt is worthy of some attention, don't you think? I love how Tomas Maier played with black and nude: super elegant, yet super sexy. Then the longer dresses happened. I could really picture Emma Stone rocking some of these printed numbers. The finale dress' mix of textures really took my breath away. So stunning. If you're going to take anything from this collection, here it is: never ever underestimate the power of evening wear.(Photo Cred)

Gucci

Maybe I'm an eternal brooding soul, but I'm obsessed with dark color palettes. As much as I do love a pop of color here and there, dark clothes just scream gothic glamour to me, which Milan Fashion Week tells me is totally in for the fall. I'm even enamored with this collection's dark green looks.The baggy silhouettes give this collection an effortless sophistication. They give you something that you can wear out to a fancy dinner or lounge around at home and either way, you'd still be the chicest chick ever. I also love how Frida Giannini toyed around with different textures and types of outerwear. Feathered cropped jackets and sleek black capes? It's like she read my mind. In short, I just really want to spend the rest of my life in this collection. Too far? Fashion people love to exaggerate. As for my inner beauty nerd, I'm going bonkers over the makeup. Dark lip for fall? Sign me up!(Photo Cred)

Jil Sander 

As we all know by now, I'm not a fan of minimalism. Maybe someday- that's me trying to broaden my fashion horizons- but not today. However, I must give credit where credit is due. And credit is due at Jil Sander. Though Raf Simons was let go, I must say that this is my favorite Jil Sander collection of his. Instead of letting minimalism radiate the same old emotionless aesthetic, he gives it a feminine spin. The soft, candy colors work perfectly with the sleek silhouettes. The subtle color blocking and the striking cutouts make this collection fun to look at. Also, who can resist a hint of metallic? All in all, doesn't this collection remind you of something you'd see Ann Margaret wear back in the good 'ol days? Just me? (Photo Cred)

xx

The Style Files: We Got No Money, But We Got Heart

I think I have an obsessive song disorder. Almost every week, there's a song that I can't stop listening to, hence this arbitrarily placed section in the Style Files. Right now, I'm obsessed with Walk the Moon's "Anna Sun." For some reason or another, it makes me feel like we're on the cusp of something epic happening. Big thanks to my friend, Ben, for showing me this gem.

Style Spiration: Alexa Chung

I'm pretty surprised that over the past two years of blogging, I've barely mentioned Alexa Chung. Well, ladies and gent, that's all going to change: right here, right now. The British fashionista truly exudes this understated chic vibe. She never has to over-accessorize; however, the way she puts outfits together is always stylish and quirky.

At the 2010 CFDA Awards (Marc Jacobs): This look really pinpoints everything that Alexa Chung's style encompasses. She doesn't need statement jewels or a standout bag; however, those chunky silver shoes do create the perfect amount of style tension with the dainty Marc Jacobs dress.The way this look is put together is very reminiscent of the early 20th century, when understated glamour ruled the world, don't you agree? (Photo Cred)

Street Style: Love it or hate it, Alexa Chung rocks quirky, personal style. Those high-rised shorts with the high socks? One might think this is all too high for comfort, but I kind of like the quirkiness. The simple striped tee as a neutral to make the look appear cleaner.(Photo Cred)

At the 2010 Met Ball (3.1 Phillip Lim): Pants to the Met Ball? As anyone who keeps close tabs on the Met Ball knows, this red carpet is all about avant garde dresses that are too crazy for any other red carpet. In short, it's embracing fashion as art. Wearing a simple pantsuit is such a fashion risk; however, there's no one better to make this risk than Chung. Honestly, I love the whole look: the bold lip, the western-inspired bow, the trouser effect, the chunky shoes. Chung shows us an alternative, but equally creative way, to dress for the Met Ball. (Photo Cred)

The Weekly

• Elizabeth Olsen at the NYC Premiere of Silent House (Balmain): From the oversized Balmain topper to the pastel envelope clutch, this look is everything. I love how she pairs these fun accessories and extra with a simple black dress. The different lengths, textures, and sleeve lengths give this look a disheveled vibe; however, her clean hair and makeup bring femininity and structure to the table. 
• Julianne Moore at the Game Change Premiere (Lanvin): Sure, Julianne Moore has her fair share of fashion faux pas; however, this Lanvin number is to die for.  Everything is so structured, which really works for her. I despise when she does these avant garde dresses: all she needs is something simple and sleek. I love the black and white color blocking, especially with her red hair. The variety of bracelets gives this look a dash of personal style. For the record, that fuchsia lip is incredible. 
• Catherine Middleton at the Queen's Diamond Jubilee: Thankfully, the Duchess of Cambridge is embracing the peplum trend. The otherwise straight silhouette works perfectly with the cute peplum.  Paired with that cute hat? Out of this world. I love when people wear navy and black together, so this look is definitely a good one.  Also, where has Kate been? I've missed her! 

xx

London Calling

It's fair to say that I'm obsessed with all things British. From the historical and classic architecture to the hip street style (to One Direction... some of my interests do resemble those of a tween) , London is the perfect place. However, London Fashion Week's collections are always hit or miss for me. While I'm obsessed with some collections, others are truly the bane of my existence. I've kept all of you waiting long enough for this runway recap, so how about we just cut to the chase?

ANTONIO BERARDI

Here's a riddle for you: how can a collection be clean and innovative? Well, Antonio Berardi knows. From his curvy silhouettes to his outstanding use of color, Berardi makes simple fashion forward. Each piece is beautifully executed, which gives this collection so much strength. Depending on the styling, all of these pieces can act as a neutral or the standout part of your look.  Also, can we say half peplum? Out of this world. On a side note, I'm crazy for the metallic maxi skirt. (Photo Cred)

FELDER FELDER

For the past few seasons, I've been obsessed with Felder Felder. This collection offers punches of color, offbeat patterns, and fun silhouettes. Like Band of Outsiders, Felder Felder provides a chic answer to every young fashionista's prayers. To me, Felder Felder screams "quirky London style." Every single look expresses this unique,downtown feel. Even the simple, black dresses are hip! Seriously: can't you imagine yourself wearing a Felder Felder dress to a cool Brooklyn party? Just me? Whatever. On a side note, who wouldn't want to wear a printed bodysuit?  (Photo Cred)

ERDEM

Erdem's fall collection is the perfect transition collection. If you haven't noticed, spring is all about undeniably feminine pieces. Erdem Moralioglu's latest collection provides a mix of femininity and boldness.I can picture these dresses on an older fashionista or even a hip, downtown chick. What's so fabulous about this show is that Erdem really embraces the mixed patterns concept. The agelessness of this collection is absolutely inspiring.  (Photo Cred)

MARY KATRANTZOU

While wearability is pretty important when it comes to RTW collections, I can never resist artistic collections. Obviously, you won't wear one of these pieces to "the club" (did I mention that I love when people refer to a hotspot as "the club"?), Mary Katrantzou's fall collection screams "fashion eye candy." She always couples intricate patterns with super structured silhouettes. In my mind, this collection is like a psychedelic porcelain doll, which is pretty sick. Obsessed.  (Photo Cred)

TEMPERLEY LONDON

Without a doubt, Alice Temperley is one of my favorite British designers. She consistently "wows" me with her ability to create pieces that have a feminine edge. Though I consistently want to wear every single look of hers to a British tea party, her collections never force a feminine aesthetic. Even her florals in this collection have an eclectic feel to them. As any good designer does, Alice Temperley plays with fun colors, textures, and hints of drama.. For a random, obsessive outburst,  I love how this collection is styled. Nothing says "fabulous" better than fun hats! (Photo Cred)

PPQ

My fashion philosophy is that, unless you're wearing something offensive, you should never have to apologize for your personal style. If someone can't appreciate your creativity and fearlessness, that's their issue. PPQ's fall collection mixes polished dresses with a completely unapologetic aesthetic. Sure, some of these pieces are...questionable; however, there should never be strict rules to fashion. Though the aspiring stylist in me freaks out over a less-than-brilliant look, we need to all be realistic and know that not everyone's going to dress to our personal taste. This collection truly speaks to me: dressing and being yourself never goes out of style. Amy Molyneaux and Percy Parker embrace fashion's oddities and make them a commodity. No, I didn't even try to rhyme: it just happened.(Photo Cred)

JONATHAN SAUNDERS 

In my mind, fall is all about texture. Thankfully, Jonathan Saunders gives us structured and textured pieces for fall. This collection is a little paradoxical for me, but I kind of love it.Though the silhouettes scream minimalism, Saunders' mix of colors and textures makes this collection Trendologist- approved. You can easily classify this whole collection has sporty, eclectic, minimalism. Also, I'm so smitten with his florals! (Photo Cred)

SIMONE ROCHA

I've fallen in love with this clash between femininity and urban chic . As I've lamented before, I have this girly/edgy complex and this collection is yet another answer to my prayers. From extravagant peplums  to the use of collars, Simone Rocha succeeded it making lace alternative and quirky. Over all, each look has this understated, artistic aesthetic, which I find really interesting. It's as if the clothes are saying, "Yes, I am a big deal, but keep it on the down low" (yes, in my ideal world, clothes talk). Additionally, the black and white color palette- obviously, I'm excluding that arbitrarily placed, yet awesome, yellow outfit- allows the fripperies to speak for themselves,  (Photo Cred)

MULBERRY

I'll be the first person to say it: Mulberry's show is jumbled and eclectic. Most of the looks are not polished and there's barely any cohesion; however, I'm so smitten with this collection. Though some people may look at this collection and run the other direction (I'm a skilled unintentional rhymer), it gives me a sense of comfort a familiarity. Mulberry's show reminds me of when I wake up in the morning and scramble to find a quasi decent outfit or even those really cool, eclectic fashionistas whose closets I want to steal. There's something that's perfectly imperfect about this collection- fashion's reality- that I love. And if you haven't noticed by now, I'm quite obsessed with fur. (Photo Cred)

xx

The Style Files: Something Unknown to Me Makes You What You Are

It's fair to say that I'm not taking the passing of Davy Jones vey well. No, this isn't me being sarcastic: I'm legitimately upset. When I was little, I was obsessed with retro TV shows. Obviously, the Brady Bunch was my number one.  From the afternoons after pre-school to the nights where I was plauged with chicken pox, Davy Jones' Girl was my jam. I would dance myself silly- also known as doing the Marsha- to that song and still do (especially to the Very Brady Movie's version). So this week's song had to be Girl because, let's be honest, I probably would've had a crush on him if I was a teen during the 1970s.

Style Spiration: Gwyneth Platrow

Are you still going crazy over Gwyneth Paltrow's sleek, superstar, scene-stealing, spectacular Tom Ford moment from last week's Academy Awards? Well, I am. The more that I think about it, the  more that I realize how much of a trendsetter Gwyneth truly is. During her career, she's had so many red carpet moments that we will always remember. What's so interesting about all of these looks is that they're all progressive and sleek. They all make a statement without crossing the line. How does a trip down memory lane sound to all of you? Let's spend this Sunday remembering (and drooling) over all of Gwyneth's looks.

 At the 1999 Academy Awards (Ralph Lauren): There's no better way to start of this review. Whether you tuned into the 1999 Oscars or not, you know this dress if you're the least bit interested in red carpet glamour. From the color to the silhouette to the jewels, everything about this look is so feminine. I find this so ironic because nowadays, Gwyneth dresses super sleek and modern. Even though this dress is undeniably feminine, the overall simplicity is timeless. (Photo Cred)

Being fabulous in 1996 (Gucci): I think Gwyneth has a knack for picking out super powerful Tom Ford designs.Perfectly executed, velvet, and in a luscious red? Hold me back: it's almost too much to handle. To prevent a Chuck Bass moment- though I do love Chuck Bass and everything he wears- she kept the rest of this look simple: the makeup, the hair, the accessories and even the blouse underneath the suit. In short: Gwyneth did menswear before it was cool.(Photo Cred)

At the 2008 Cannes Film Festival (Chanel): How breathtaking is this look? Whoever styled this did a fantastic job of giving this ensemble some movement and excitement from top to bottom. The arrangement of the glamour-packed sparkles made this look glamourous and not overbearing. Her updo and feminine makeup allows us to focus on that beyond neckline without completely ignoring Gwyneth. (Photo Cred)

At the 2007 Academy Awards (Zac Posen):  I usually don't love peach, but this is fantastic. The high-hugging silhouette and the sheer components of this dress are to die for: this dress commands attention without it being overly aggressive. The non-matching bracelets on each arm give this look a healthy dash of quirky symmetry, which I love. The long locks keep this look refreshing and fun. Oh, and that red lip? No words.(Photo Cred)http://images.teamsugar.com/files/usr/1/12981/paltrow.jpg

• Mila Kunis at Dior 2012 Fall RTW (Dior): I know, I know: I still need to cover London, Milan, and Paris fashion week. But how amazing is this look? Mila destroys the stereotypical European look by wearing something light and overtly feminine. I love how she plays with pastels and whites as well as texture. The straight hair and black belt give this look a very Parisian feel. 
• Claire Danes at Vanity Fair's Academy Awards After Party (Valentino): Yes, my jaw actually dropped when I saw this. The dress is so extravagant and timeless. The minimal jewels allow us to focus on the dress, which deserves as much attention as humanly possible. The glamourous updo and the matching pink lip brings this whole look together.
• Rosie Huntington- Whiteley at Heathrow (Vanessa Bruno, Burberry): I love love LOVE this take on personal style. Navy is such an unappreciated color so I love how she incorporates that Vanessa Bruno blazer into her ensemble. Don't be fooled: navy and black look fabulous together. Rosie finishes this look off with a leopard scarf: my kind of fashionista! 
• Olivia Palermo at Dior 2012 Fall RTW: This look gives me goosebumps. Olivia Palermo always knows how to create a look that is clean, eclectic, and fashion-forward. I'm obsessed with the mix of that printed dress and her cage heels. The cardigan gives this look some Parisian chicness and that side fish tail braid? Too good to be true! 
• Selena Gomez at Vanity Fair's Academy Awards After Party (Dolce & Gabbana): This look is heaven. This form fitting Dolce & Gabbana really shows off her feminine figure in the classiest way possible.  love that soft grey with her complexion and the light lip. Should we talk about that beading? To die for. I love her shorter do with those drop earrings. Overall how sophisticated does Selena look? Now that her boy toy is legal, I suppose she's allowed to dress like a woman.  

xx