Red Carpet Review: 5 Best Looks From the 2015 Academy Awards

As anyone who has an infatuation with the entertainment industry knows, the Academy Awards are the cinematic Super Bowl. Not only is it a night to celebrate critically-acclaimed movies and create pop culture moments (here's to you, John Travolta), this awards show is undeniably known for showcasing the fiercest celebrity fashion looks. However, this year's red carpet faced a sartorial lull. With fashion month in full swing, the most ensembles felt basic in comparison to the high-octane shows that are spamming every fashion fanatic's Instagram feed. Luckily, there were some get-ups that satiated the otherwise starved carpet. Check out the five best looks from last night's red carpet.

Emma Stone in Elie Saab: From dressy trousers to a stylish suit jacket paired with a sheer skirt, the nominee has been rocking gender-bender threads at this year's major award shows. Sporting a beaded Elie Saab dress is nothing new-- in fact, it feels as if every A-Lister has worn a similar outfit at some point in her career. However, the opened back and up-to-there slit adds a sultry flair to an otherwise conservative silhouette. What makes this look worthy of a spot on most best-dressed lists is the way Stone's stylist put this ensemble together. The matching glitzy bracelets and the dramatic wavy hair makes this outfit feel fresh and youthful. Cool girl Emma strikes again!

Juliane Moore in Custom Chanel: It's no secret that the Still Alice star would take home the treasured statuette at last night's ceremony. After years of nominated performances, it was irrefutable that this was Moore's year. Enter the perfect Oscar dress: shimmery, modern and ridden of any "basic" connotations thanks to the floral detailing along the neckline, hips and train. As most young girls dream of the perfect wedding dress, it's easy to imagine that aspiring actresses lose sleep over what they would wear to accept their Academy Award. "It has to be timeless, but something that will also get me a spot on most best dressed lists," they probably say. "My makeup has to be fresh and though I want to wear Cartier or Fred Leighton, I can't be dripping in diamonds--it'll take focus away from my Oscar." This outfit is everything an award-winning actress should wear. The slicked back updo and scarce (yet decadent) jewels complete a truly timeless look.

Keira Knightley in Valentino Haute Couture: If the 2015 awards season had superlatives, The Imitation Game star would definitely win "most ethereal pregnant woman on the red carpet." With her milkmaid disaster from the Golden Globes as an exception, the expectant mother's outfits consistently offered an admirable ease and comfort without looking too maternity. This Valentino Haute Couture dress was whimsy enough to fulfill Knightley's effortless aesthetic, yet formal enough to be Oscar-appropriate. Equally spot-on was the actress's beauty regime: her waves were coiffed to perfection and the fuss-free makeup perfectly complemented the dress.  Brava!

Rosamund Pike in Givenchy: As a relative red carpet rookie, try saying that five times fast, the Gone Girl star is exciting to watch. Though she doesn't receive as much praise as sartorial stars such as Lupita Nyong'o, Pike is taking risks by sporting balloonish silhouettes, touchable textures and the occasional pop of color. Opting for monochromatic is a sure-fire way grab the attention of style savants; however, sporting a completely red look on the red carpet is dicey. Can we say too much red? But with a textured dress, thin-strapped shoes and a subtly pink pout, the nominee successfully avoided a major faux pas. On the contrary, Pike gives a conventional red carpet gown a trendy twist.

Margot Robbie in Saint Laurent: In the fashion world, chic and sexy are rarely used in one sentence. However, thanks to the good graces of the Focus star, Robbie's outfit is in fact both chic and sexy. Her secret? Pairing a plunging neckline with ultra-stylish add-ons. While the delicately draped neckline turns up the sex appeal in a sophisticated manner, the matte red lip and stunning Van Cleef and Arpels necklace are everything a fashion nerd dreams of. Without this power combo, the dress would look like a slutty Stevie Nicks outfit and the add-ons would be Man Repeller-worthy. Together, the pieces are kind of amazing and create a sartorial force to be reckoned with. Many critics compare Robbie's look to a reinvented Michelle Pfeiffer, but this budding actress is in a league of her own.

Which red carpet looks did you love? Sound off below!

Photos courtesy of Refinery29

xx

Red Carpet Review: 2015 Screen Actors Guild Awards

Everyone who is glued to their television set, laptop or techie-friendly tablet during awards season knows that the Screen Actors Guild Awards rarely provide jaw-dropping ensembles. But after a less-than-exciting Golden Globes red carpet, attendees cranked up the sartorial notch immensely for the lower-brow soiree. Like an idyllic fashion buffet, there was a little bit of everything: winter whites in slim silhouettes, pops of luxe jewel tones, and some pretty pastels sprinkled in between. In short, fashion fanatics everywhere are currently experiencing mild heart palpitations after inspecting this show's red carpet. But for every impressive outfit was the occasional style miss. Skipped the red carpet pre-show? Check out the best and worst looks from last night's event.

The Worst.

Jennifer Aniston in Galliano: Two words: Rack City. Aniston has an enviable body, but this plunging neckline (and accompanied necklace) puts too much emphasis on her cleavage versus the entire look. Between the tapestry- esque pattern and clingy silhouette, the dress looks like something that Cher wore one of her tours many moons ago.  While the gilded hue perfect matches Aniston's blonde locks, this case of monochrome is inexplicably unimpressive. Fashion fanatics will never turn to the Cake actress for on-the-pulse style choices; however, this look is equal parts "blah" and "shield your eyes."

Lupita Nyong'o in Elie Saab: Once upon a time,  also known as 2014, Nyong'o was the reigning queen of the red carpet. In the event you've recently been diagnosed with award season amnesia, allow "cape" and "Nairobi blue" to trigger your memory.  But 2015 is turning into classic case of  "new year, new you" gone wrong as the Academy Award winner's once unanimously adored ensembles now have a split jury. While the deep neckline in perfectly juxtaposed with an otherwise modest silhouette, this dress is too busy. Together, the long sleeves, floor-grazing skirt, and clashing fabric are an eye-sore. Oh, how the mighty have fallen.

Sofia Vergara in Donna Karan: Unless you've been living under a rock for the past six years, you know that the Modern Family actress is an utter bombshell. A frequent client of Carolina Herrera and Vera Wang, every dress Vergara wears on a red carpet highlights the funny woman's enviable frame. Yet, this red Donna Karan number felt like the sexy notch was turned up so far, the dial broke and is now malfunctioning. The sheer paneling looks is tacky while the mismatched straps gives the impression that one of them has spontaneously snapped off. Don't get your hopes up, fashion nerds; we will never see Vergara in a masculine pantsuit or voluminous dress, but this feels overbearingly sexy.

Julia Roberts in Givenchy: As the new face of Givenchy, it's no surprise that Julia Roberts would opt for a Riccardo Tisci original. But out of all the extraordinary ready-to-wear and couture pieces to choose from, why would the megawatt actress opt for something that Vivian Ward wouldn't even wear (with or without Edward Lewis's credit card and a slew of Rodeo Drive stores)? The biggest problem with this look is the lack of proper tailoring: the corseted top looks too tight and the pants are too bunched up at the bottom. To worsen an already tragic look, the sheeny panels around the pockets, lapels and bodice create an odd shape instead of contouring Roberts's figure. This look could've been salvaged with a killer pair of heels, yet these peep-toes are universally lackluster.

Natalie Dormer in Naeem Khan: Though the Screen Actors Guild Awards rarely prompt head-turning ensembles, the red carpet looks are usually sophisticated.  Unfortunately, Dormer's asymmetrical dress was not up to par with conventional SAG ensembles. From head-to-toe, this looks screams junior department. Between the mosiac pattern around the waist the basic one shoulder, this dress is comparable to a senior prom outfit. And what's going up with that childish pinned back hair? Opting for a solid dress with the same silhouette and a messy updo would've made the world's difference.  

The Best.

Kiera Knightley in Erdem: After a sartorial stint as a modern-day milkmaid, which excited no one, it appears that The Imitation Game actress learned her lesson. Though the British brand is a favorite amongst style savants, Erdem doesn't receive as much mainstream red carpet credit as it deserves. Translation? It's exciting to see such a megawatt star support her British roots. The expectant mother admitted to not wearing skintight clothing during her pregnancy, and the empire waist and sheer paneling to subdue the plunging neckline highlights Knightley's maternal while remaining comfortable. If this dress couldn't be more perfect, the vibrant purple and delicate texture are like creamy icing on an already superior cake. Knightley's beachy half-up hairdo and and ear cuff keep this look SAG Awards- appropriate.

Felicity Jones in Balenciaga: In true Brit fashion, the Screen Actor Guild nominee is buttoned up and ladylike as ever in a soft pink column dress. While it's no secret that the streamlined shape isn't revolutionary, the cross bodice offers an essence of elegant modernity that perfectly complements Jones's fashion persona. Combined with her dark features, the light pink hue offers a striking color contrast. To highlight the interesting bodice, the star opted for gorgeous dangling earrings and bare wrists. In an equally heavenly color palette, the earrings and sleek clutch acted as the perfect finishing touches to a best dressed contender. 

Julianne Moore in Givenchy: This awards season is shaping up to be one big love affair between Julianne Moore and Givenchy's Riccardo Tisci that fashionistas never want to end.  Forget Kermit, it's not easy being red... a redhead, that is. However, with a glistening emerald dress, the frontrunner this awards season makes it look so easy! While dresses with lots of beading or embellishments oftentimes look heavier than designed, the languid silhouette and tank-like straps prevent this dress from appearing bulky. And can we discuss those earrings for a moment? Instead of opting for a colorless diamond, as most red carpet veterans do, adding a purple earring to a green dress offers a quirky, yet undeniably stylish, color combination. With a fresh face and a wavy lob, Moore's beauty regime perfectly complements her ensemble.

Emilia Clarke in Donna Karan Atelier:  Though the Game of Thrones actress isn't the most sought after star on the red carpet, she always delivers. Luckily, Clarke did not disappoint at the SAG Awards. Still attempting to get over the Lupita's cape moment of 2014,  this dress is a moodier take on one of the best ways to make a sartorial statement during awards seasons. "Black & Blue" isn't just a Backstreet Boys album, it is an effortlessly chic color palette that is bound to make turn heads.  Frosted head to hand in Cartier jewels, the actress is quintessentially red carpet ready. The berry lip adds to this look without competing against the dress's dual-tone color scheme. 

Naomi Watts in Balenciaga: No matter how many high-octane hues or patterns grace a red carpet, it's almost law that any glamourous event will showcase a large percentage of black dresses. Though undeniably chic, noir ensembles can be a little boring after several award shows. However, nothing spices up a sea of dark dresses quite like a navy getup. Fetching yet subtle, dark blue is an underestimated neutral. And against Watts's light coloring? Heavenly. Not to mention the off-the-shoulder textured detailing brings an ordinary dress to the next level. Coiffed to perfection, and polished off with a baby pink lip, the actress gives this progressive dress a feminine edge.

Rosamund Pike in Christian Dior Haute Couture: Yes, yes, a thousand times yes. A vast improvement from the string bikini in dress form that Pike sported at the Golden Globes, the Gone Girl actress nails it in a ultra voluminous haute couture outfit. The touchable texture and dimensional shape breathes some life back into the typical black dress. Sure, it's a lot of fabric; however, it works because of the shortened hem in the front and Pike's model-esque stature. With the complete look in mind, a simple black pump and minimal jewels create a cohesive look while emphasizing the dress's beautiful craftsmanship. On the beauty front, Pike's casual waves mimic the look's texture while the red pout make this outfit movie star worthy. 

Emma Stone in Christian Dior Haute Couture: Always a red carpet darling, Stone is without a doubt winning this year's awards season. It feels like we were just resuscitated from looking at the nominee's stunning Lanvin outfit from the Golden Globes, and then she arrives to last night's event in something that will put any style savant in an extended sartorial coma. Dramatic? Perhaps; however, this look is the perfect fashion moment on the red carpet. It takes a seriously style conscious star-- try saying that five times fast-- to have enough confidence to sport this look. Forget conventional dresses in taffeta or silk: fashion fanatics were glued to their televisions last night wishing they could wear that Dior number.  The perfect blend between masculine and feminine, Stone's fierce red lip, ear cuffs, and slick ponytail keep this look cool.  When Gone Girl author Gillian Flynn wrote pages about Amy Dunne's idea of the "cool girl," she was subconsciously predicting the future and envisioning this look, right?

Which looks did you love? Sound off below! 

Photos courtesy of Who What Wear and Yahoo.com 

xx

2013 Cannes Film Festival

Welcome to Cannes, where glamorous movie premieres, swanky after parties and apparently jewelry thieves dominate. As expected, the film festival is more like a fashion show in disguise: the industry's fiercest stars cascade down the red carpet in threads that command attention. While some ensembles made style mavens coo in adoration, others were cringe-worthy.  Ready for another red carpet review? I sure am!

The Worst

Julianne Moore in Christian Dior: Even the chicest celebrities succumb to a tragic wardrobe malfunction; however, Moore's fashion emergency was especially disgusting. Unless you've been living under a rock, you've probably heard of the disaster that is "toe-mageddon." It's a shame because otherwise, Moore looked flawless. I love the picture-perfect blowout with the feminine silhouette and dainty jewels. Though I appreciate her sense of humor, I hope she learns a lesson and never wears strappy sandals again.

Janet Jackson in Armani Prive: Sleek menswear with a hip hop twist? No thank you. Overall, this look is just confused. The slouchy pants and pulling blazer create a major fashion faux pas. Additionally, the dainty necklace and chunky platform heels are just too much. Instead, Jackson should've opted for a fitted suit with closed toe,pointed heels.

Rooney Mara: Ever since her breakout role in Girl With the Dragon Tattoo, Mara has been applauded for her glamorous and gothic aesthetic. At the Catching Fire party, the actress sported a look that was neither glamorous nor gothic. Personally, this look gives me the heebie jeebies. I'm all for spicing up your sartorial choices, but it's important to know draw the line. For starters, the hat needs to go.

Li Yuchun: There's too much fringe, and then there's too much ombre fringe. While both are quite terrible, the latter is a surefire way to get my starmp of disapproval. Moral of the story: it's not okay for Cannes, it's not okay for the Grammys--it's not okay for any type of fesitivies.

Jennifer Lawrence in Dior: Though I completely adore the cool girl's allegiance to the fashion house, it seems as if Jennifer Lawrence needs a crash course in styling. The berry lip and classic Dior silhouette are deliciously feminine, but the hair is sloppy. Translation? It's simply too edgy for this look. Additionally, this ensemble lacks a dainty choker necklace or dangling earring.

Florence Welch: Once upon a time, the Florence and the Machine songstress was the queen of the ethereal style (to a point where it was annoying). While it's great to see Welch in a new uniform, a pink gown with an embarrassing amount of polka dots is a big no. Not only does the pink look off with her coloring, this feels more like a costume than couture. Better luck next time?

Emmanuelle Seigner in Alexandre Vauthier: The deep v may have (somewhat) worked for Jennifer Lopez  way back when, but Seigner is simply too old to wear this sexual  number. If that neckline wasn't traumatic enough, I don't like how she matched her lip and dress color-- too much! 

Jessica Chastain in Versace: Perhaps Seigner should've opted for this dress instead. Though Chastain is always a vision, this Versace number looks very matronly on her. Plus, the long pendant feels a little random.

Zhang Ziyi in Giambattista Valli: What's black, white and absolutely dreadful? This Giambattista Valli ensemble. The zebra-esque pattern clashes with the film festival's elegance. And what's with that tulle trail? A ballerina costume gone wrong!

Jessica Hart in Valentino: Textured mini dresses are hard to wear. Though Hart probably believed her red sandals would make a statement, they actually prompted this outfit's downfall. So what's the take away lesson here? When wearing a frivolous dress, keep the rest of your ensemble simple with shoes that are either nude or match your dress's hue.

Audrey Tautou in Lanvin: Tautou's styling was on-point, she balanced this shimmery mini with minimal accessories and nude heels, but this dress is way too young. Chic? I say "sweet sixteen."

The Best

Jennifer Lawrence in Christian Dior: Unlike her black and white fiasco, this ensemble works a million times better with her beachy locks. The pink shoes and neon details may initially seem matchy-matchy; however, the unconventional hemline makes this look fabulously offbeat. The "girl on fire" is back!

Fredia Pinto in Sanchita Ajjampur: Thanks to Pinto, old school glamour made a roaring comeback at Cannes. A shimmery number and a deep red lip may be too much in any other scenario, but this is Cannes. The lack of accessories give this ensemble a sense of control.

Tanya Dziahileva  in Georges Hobeika Haute Couture: A vixen in white! I love how Dziahileva juxtaposed femininity and funk.The white appliqued gown screams girly while the harsh red lip is beyond edgy. J'adore! 

Sonam Kapor in Dolce and Gabbana: Extravagant, yet Kapor's floral number is perfect for Cannes. Unlike most of the soiree's attendees, this style maven choose to have a princess moment in a full-skirted gown. Kapor completed this regal moment outfit with perfectly curled hair and a dainty necklace.

Nicole Kidman in Valentino: After a slew of "too-young-for-comfort" ensembles, Kidman finally rocks a gown that is both glamorous and age-appropriate. The high neck and intricate details offer the perfect Grace Kelly-inspired  image. Brava! 

Kirsten Dunst in Michael van der Hamm: Fortunately, the starlet has broken away from her string of awful ensembles and looks absolutely flawless doing so. The multiple patterns are perfectly balanced by the frock's modest silhouette. Though the polished hair allows the dress to take center stage, the bright red lip proves that Dunst is still wearing this dress (as opposed to the other way around).

Emma Watson in Chanel: For the Bling Ring actress, simplicity is key. Similar to her Met Ball look, Watson donned yet another classic silhouette. Luckily, the glitzy bodice spices up this lackluster shape. To prevent a Liberace moment, the starlet paired this dress with edgy jewels.

Carey Mulligan in Vionnet: Black and white strikes Cannes once again. Though the color palette is overplayed, the sultry cutout brings something new to the sartorial table. The fresh makeup and lack of accessories allow onlookers to focus on the dress's beautiful execution. So smitten.

Sara Forestier in Giambattista Valli: Take note, Zhang Ziyi: this is how someone wears Giambattista Valli. The innovative black and white print spices up the ever-so-popular mullet silhouette. While red shoes with a black and white number tends to look tasteless, the updated t-strap shape and coordinating red lip gives this ensemble a dash of updated Hollywood glamour.

Olivia Palermo in Roberto Cavalli: The east coast fashion icon spiced up the elegant celebration with this Cavalli number. The short hem and clashing textures are super sexy; however, in true Palermo fashion, the tastemaker carefully plans her hair, makeup and accessories. The final result? A fun and sophisticated summery outfit.

What looks are you loving from Cannes? I'm dying to know! 

Photos courtesy of Vogue.and Telegraph.

 xx

The Style Files: We Got No Money, But We Got Heart

I think I have an obsessive song disorder. Almost every week, there's a song that I can't stop listening to, hence this arbitrarily placed section in the Style Files. Right now, I'm obsessed with Walk the Moon's "Anna Sun." For some reason or another, it makes me feel like we're on the cusp of something epic happening. Big thanks to my friend, Ben, for showing me this gem.

Style Spiration: Alexa Chung

I'm pretty surprised that over the past two years of blogging, I've barely mentioned Alexa Chung. Well, ladies and gent, that's all going to change: right here, right now. The British fashionista truly exudes this understated chic vibe. She never has to over-accessorize; however, the way she puts outfits together is always stylish and quirky.

At the 2010 CFDA Awards (Marc Jacobs): This look really pinpoints everything that Alexa Chung's style encompasses. She doesn't need statement jewels or a standout bag; however, those chunky silver shoes do create the perfect amount of style tension with the dainty Marc Jacobs dress.The way this look is put together is very reminiscent of the early 20th century, when understated glamour ruled the world, don't you agree? (Photo Cred)

Street Style: Love it or hate it, Alexa Chung rocks quirky, personal style. Those high-rised shorts with the high socks? One might think this is all too high for comfort, but I kind of like the quirkiness. The simple striped tee as a neutral to make the look appear cleaner.(Photo Cred)

At the 2010 Met Ball (3.1 Phillip Lim): Pants to the Met Ball? As anyone who keeps close tabs on the Met Ball knows, this red carpet is all about avant garde dresses that are too crazy for any other red carpet. In short, it's embracing fashion as art. Wearing a simple pantsuit is such a fashion risk; however, there's no one better to make this risk than Chung. Honestly, I love the whole look: the bold lip, the western-inspired bow, the trouser effect, the chunky shoes. Chung shows us an alternative, but equally creative way, to dress for the Met Ball. (Photo Cred)

The Weekly

• Elizabeth Olsen at the NYC Premiere of Silent House (Balmain): From the oversized Balmain topper to the pastel envelope clutch, this look is everything. I love how she pairs these fun accessories and extra with a simple black dress. The different lengths, textures, and sleeve lengths give this look a disheveled vibe; however, her clean hair and makeup bring femininity and structure to the table. 
• Julianne Moore at the Game Change Premiere (Lanvin): Sure, Julianne Moore has her fair share of fashion faux pas; however, this Lanvin number is to die for.  Everything is so structured, which really works for her. I despise when she does these avant garde dresses: all she needs is something simple and sleek. I love the black and white color blocking, especially with her red hair. The variety of bracelets gives this look a dash of personal style. For the record, that fuchsia lip is incredible. 
• Catherine Middleton at the Queen's Diamond Jubilee: Thankfully, the Duchess of Cambridge is embracing the peplum trend. The otherwise straight silhouette works perfectly with the cute peplum.  Paired with that cute hat? Out of this world. I love when people wear navy and black together, so this look is definitely a good one.  Also, where has Kate been? I've missed her! 

xx

The Style Files: Your Silence in a Crowded Room, Louder than the Loudest Tune

Well if this blog post doesn't show you how random my life is, I don't know what will. One of the many perks of living in New York's suburbia is the GREAT commercials for Broadway shows. Lately, I've been overwhelmed with Spiderman: Turn off the Dark and one of the songs has been stuck in my head for weeks. So I bought it on iTunes and can't stop listening to it now. Since the music's by Bono and the Edge, you won't be listening to typical "kick-ball-change" music. So here it is:

Style-Spiration: Diane Kruger 

Diane Kruger is one of those celebrities that I love buuut know absolutely nothing about. This week, she rocked a bow-tie and that's when I knew she had to be my Style-Spiration for this Sunday Edition. I just love how she takes so many risks and never backs down from a challenging trend. She's the definition of a celebrity fashionista.

Just hiding from the stalkerazzi. If Diane Kruger wasn't wearing this, I would say this is a horrible outfit. Preppy pastel+preppy neon+hip fedora+ S&M shoes= disaster. But there's something about the way Kruger put this together. It's a very, "I don't give a s**t  (trying to keep it PG, you know)" or, "Oh I'm so busy. Let me just throw this on anything and everything I could find." Regardless of her true intentions, this look is very thrown together; however, the juxtaposition is ironic and tres chic. I just don't know how she does it and I surely do not think you should try this at home. It can get dangerous (Photo Cred).

At the 82nd Academy Awards in Chanel Haute Couture: I forget what my final verdict on this dress was at the time, but I remember that I condoned her for stepping out of the "full-skirted evening gown" trend.  I imagine this selection of this dress to go a little something like this: while most people said no because it was "too much," Diane Kruger gives the dress one look and says, "Simple, but it'll do." I love the light peach and black combination: very vintage and Parisian. While the different fabric techniques might not work on everyone, Kruger is fearless enough to make this work. Pairing this dress with minimal jewels, and an updo was a great move. I do wish, however, she had a strong lip (Photo Cred).

At the 2008 MET Ball (Alberta Ferretti):  I always get really taken a'back when people wear short dresses to the MET Ball. Where's glamourous avant garde evening gowns? In this scenario, Kruger took a risk by wearing a rather simple dress to such a lavish event. Silly Diane! While I don't love this dress for this occasion, or the shoes for that matter, there goes Ms. Kruger takin' some risks. (Photo Cred)

I've said it before and I'll say it again, fashion is all about risks! So before you take some risks, it's onto the weekly! 

THE WEEKLY! 

I'm very happy because I have a theory about why this looks were so great this week. In the summer time, so many people abandon their style. But Fall is so close so everyone's excited! 

• Miranda Kerr frolicking around L.A (unknown designers): After you have a mild heart attack over how skinny she is, I hope you'll appreciate how easy, yet chic this look is. In my humble opinion, maxi dresses are insta-chic: you don't need much else and you instantly look rather dressy. The long sleeves and fun print of this maxi makes it low-maintenance but a successful look. I do wish, however, she had her hair up in a messy bun. Or a pony tail. Or a braid! 
• Ginnifer Goodwin at the ABC Summer Press Release Shindig (3.1 Phillip Lim): Lookie here, my trendy friends, this is how you rock mixed fabrics: keep it all in one color. This is prime styling right here: I love the lace, combined with the silk body of the dress, and those furry sleeves. I'm going ga-ga over them. If this look was even broken up into black and white, it'd be a fail. SO KEEP IT MONOCHROMATIC! Also, if you plan on mixing fabrics, keep the rest of the look simple: minimal jewels, clean hair, and natural makeup. Go, Ginnifer, Go!
• Kelly Rowland at an X-Factor Press Conference (Versace with Giuseppe Zanotti heels): While I really don't like Kelly Rowland- I don't really think she has any reason to be such a fashion icon and she took my girl Cheryl Cole's position on The X Factor- she honestly looks lovely. I love the lines in this outfit: the teal waves are so sick. And those booties? Fabulous. The wavy hair is totally vixen and youthful. Solid job, Kelly.
• Julianne Moore at the  Blu-Ray release of The Big Lebowski (Jason Wu): I'm so in love with this look. Do you remember the short-lived show, Cashmere Mafia? Well, this outfit looks like it could be straight out of that show, and I like it! The silhouette is simple, allowing the oversize- yet proportionate- bow to take center stage. And here's a major fashion DO: tortoise accessoires with black. How amazing do those shoes look with this ensemble? Keeping the hair sleek is perfect for making this bow truly stand out. Gorgeous, overall.

Stay tuned for more personal style and trend posts!

xx