The 2013 Grammy Awards

Not even the strict wardrobe regulations could stop the music industry's hottest stars from killing it on the red carpet. In true Grammys spirit, a slew of sick pieces were culled from the masses and paraded around Los Angeles's Staples Center. However, not all ensembles were spectacular. It's the Grammys after all-- style mishaps are a necessary evil! Never fear, fashion groupies, I'm here to break down the good, the bad and the absolutely insane.

The Worst.

Jennifer Lopez in Anthony Vaccarello: No stranger to provocative  Grammys attire,  Jenny from the block truly pushed the envelope this year. I don't know about you, but I'm getting a little sick of the superstar sporting these revealing ensembles. As a mother of two, she needs to know when her sexual peak is over. And I think it's almost over. To end on a positive note, I must say that topknot is gorgeous.

Kimbra in Jaime Lee Major: Um, what? This is just awful. It's like Chanel's Spring 2012 took a tragic turn. I'm not sure if she was trying to give Britney Spears's controversial "Toxic" ensemble a feminine twist, but this gown should be sacrificed to the fashion gods. But let's be honest, they'd probably reject it.

Keltie Colleen: Color blocking can be lovely; however, it's a major faux pas when used and abused. Example? This outfit. Though canary yellow shoes would look stellar with a cobalt blue mini, that disgraceful slit ruins whole look. And doesn't that glitzy bodice remind you of Dancing with the Stars? Maybe the dress would be better if it was in black? No, I take that back. This should cease to exist.

Adele in Valentino: Stepping away from her trusty black frocks, the Grammy winner took a risk and sported a quirky dress. Though Adele's boisterous persona and soulful voice are enough to charm basically anyone, this outfit failed to score a high note with fashion critics. While I support taking a risk (regardless of a style maven's size), this Valentino number was not flattering. Instead, it draws a little too much attention to her hips. I think Adele should try a bright hue again, but perhaps stay away from the busy print. Not to menton the matching shoes are a little too much.

Lisa D'amato: In what world is this okay? From the clashing (not to mention cheesy) prints to the glitzy heels, this totally horrid. Someone, make it stop! 

John Mayer: The ladykiller has officially taken creepy to the next level. A plush blue jacket with baggy pants? You got to be kidding me. Either ditch the flashy jacket or get those pants fitted! Quincy Jones, are you pointing to the singer because he's the worst dress man of the night?

Ashlee Keating: Though this awards show is the perfect time to show some skin and sport some sparkle, Ashlee Keating takes this sartorial invitation too far. First of all, multicolored sequins are never okay. Paired with the awful yellow hair? Keating resembles a life-sized Barbie doll, and not in a good way.

Nicole Kidman in Vera Wang: There's a fine line between dressing young and hot  and trying too hard. Though I loved Kidman's Golden Globes ensemble, this dress is not jivin' with me. The yellow hue does not work with her complexion, plus the sheer lace overlay is not refreshing. Instead, it makes the Paper Boy star look a little too old. Also, lace for the Grammys? Instead, sport some sequins. 

Katy Perry in Gucci: The former Mrs. Russell Brand knows how to make a scene, but that's not always a good thing. While boys go crazy for the "Candy Queen's" revealing ensemble, fashion snobs are no amused. I'm not loving the light green hue, especially with the jeweled cutout. People aren't lying when they say less is more. 

Esperanza Spalding in Eden Diodati: Never a sartorial wallflower, the talented musician sported a matching dress and cape. While this would've looked sick in a vibrant color, this print is a little too much to stomach. Spalding's infamous locks only add fuel to the fire. Something's got to go-- preferably the cape. 

Florence Welsh in Givenchy: For the Florence and the Machine front woman, there's no such thing as too far.  I love Welsh's passionate for trying something new, yet it seems as if she has turned into fashion's new Green Goblin. The artificial spikes and deep lip is a little too theatrical for my liking. Florence, please stick to the Riccardo Tisci's ethereal pieces-- we like you much better that way.

Carly Rae Jepsen in Roberto Cavalli:  Everyone knows that most black dresses are universally chic; however, this pop princess is looking a little gothic in this Roberto Cavalli creation. The jet black hair, the semi-sparkling dress and the black nails? Way too much! In fact, she looks a little creepy. Call me maybe? In that ensemble, probably not.

The Best.

Allison Williams in Kaufman Franco: Nicole Kidman, this is how an actress properly infiltrates the music scene. The Girls actress, as well as up-and-coming fashion fixture, shimmered in this fitted Kaufman Franco number. The lack of eye-popping jewels and funky makeup makes this intricate dress truly pop. Also, her hair is absolutely divine! 

Drake: This is Grammys menswear done right. The oh-so-fresh rapper took a fashion risk and played it safe at the same time. How? So glad you asked. While the classic tuxedo is a go-to for any stylish gent, the navy and black color combination is so hot right now. The former Degrassi star finished this look with some scruff. Ladies, I order you to swoon. Now.

Rihanna in Alaia: For one night only, the "good girl gone bad" ditched her controversial threads and revisited her chic, island girl roots. Fashion slaves, now is the time to rejoice! From the halter neck to fairytale train, this gown perfectly blends Rihanna's edgy present with her delicate past. The middle part, coupled with soft waves, and vibrant pout offers the perfect dash of drama. Flawless! 

Fun (Nate Ruess, Andrew Dost and Jack Anatoff): Perhaps I'm a tad biased, but the indie trio absolutely shut it down. Sticking to their alternative styles, the bandmates paired jazzy shoes with quirky suits. Never playing it safe, I love how the band always achieves a cohesive look whilst pleasuring their personal preferences. They made it rain-- literally, figuratively and sartorially.

Taylor Swift in J. Mendel: All angst aside, I'm completely enamored with the man slayer's rockstar outfit. Whether the country-turned-pop star will ever ditch the angelic hue is unclear; however, she totally revamped her traditional look. The architectural bodice marks the (potential) end of Swift's lackluster strapless tops. Not to mention that slit commands attention. With the ethereal updo, Swift looks like a sultry Game of Thrones character. And that's definitely not a bad thing! 

Beyonce in Osman: Goodbye "Freakum Dress," hello chic pantsuit. As per usual, the megawatt diva wowed everyone with this alternative ensemble. The modern getup is perfectly paired with a funky red lip and a relaxed ponytail. On the accessories front, I'm obsessed with the coordinating jeweled cuffs-- so major! 

Chrissy Teigen in Joy Cioci: John Legend's beau brought her a-game to the red carpet on Sunday. Though this skin-baring dress would be inappropriate on some, Teigen is absolutely smoldering in this Joy Cioci number. The basic black creates a blank canvas for the extravagant trim. Additionally, the mint clutch and chandelier  earrings give this edgy dress a feminine twist.

xx

The 2013 BAFTA Film Awards

Most Americans were glued to their television sets last night as Fun made it rain (literally) and Mumford and Sons claimed victory. Alas, I was not watching the Grammys. I, on the hand, was in London, watching the BAFTA Film Awards. As a self-proclaimed award show fanatic, I noticed several difference between British and American ceremonies: the BAFTAs were shorter, paid little attention to the technical aspects of film and (most importantly) the red carpet was slacking. But before you bow your head in utter shame, the night did have a bevy of brilliant ensembles as well as terrifying looks. I will address the Grammys, for there's a lot to talk about, but allow me to give you a glimpse into red carpet style from across the pond.

THE WORST 

Helen Mirren in Nicholas Oakwell: Nothing about this ensemble is right. Nothing, I say! The Renaissance-esque silhouette is eyebrow-raising enough, but the real problem is the bubblegum pink hair. Though Mirren is undeniably the queen of cool, I can't help but wonder if the new hue is a mid-life crisis in disguise. 

Jennifer Lawrence in Dior Haute Couture: If this season is an indication of anything, it's that the Silver Linnings Playbook star's days as a red carpet darling are numbered. Lately, I'm either completely unimpressed with her sartorial choices or disapprove of one tiny stylistic mistake that undermines the whole ensemble.  While I absolutely adore the bejeweled Dior creation, the slicked-back hair is just not jivin'. Coupled with a dramatic pair of earrings, it looks as if Lawrence had a rocking hairdo that the rain destroyed. In actuality, that could've happened (the weather was quite terrible);however, that's what on-call hair stylists are for.  In addition to the noncommittal look, the hair draws your eye down to the hips and thighs. And that's never okay. Instead, she should've opted for a messy updo or a low ponytail.

Samantha Barks in Celia Kritharioti: There's sexy, and then there's slutty. Perhaps it's the wet hair, but the Les Miserables star isn't looking that classy. And it's the BAFTAs for crying out loud! 

Amy Adams in Elie Saab Couture: The itsy, bitsy Adams struck out in Great Britain. Oh, that's not how the song goes?  Though this ensemble shouldn't be deemed "worst dressed," I'm just not crazy about this look. The top knot is a little overeager, especially with the laced bodice. For a sexier look, The Master star should've paired this ensemble with a sleek blowout. 

Elizabeth Banks in Chanel: As much as I adore Elizabeth Olsen and Karl Lagerfeld , this look is a little too extreme.  Though her beauty regime is absolutely radiant,  there are just too many fripperies in this ensemble. Oh how I wish the fringed straps would disappear. Then this look would be a million times better.

THE BEST 

Sarah Jessica Parker in Elie Saab: For this occasion, red carpet trailblazer  forwent kooky shapes and thought-provoking accessories. Instead, Sarah Jessica Parker opted for a simple black jumpsuit (with a pile of jewels, naturally). Some may call this ensemble plain; however, I admire the starlet's keen sense of what is event appropriate. She wasn't nominated, so why should she sport an avant garde outfit? The Sex and the City star apparently took the biggest risk of all and kept it simple. And honestly, if offers a refreshing take on what it means to get all dolled up.

Anne Hathaway in Burberry: This season's golden girl keeps on shining . The BAFTA winner-- and sartorial goddess-- nails it once again. With a studded column dress on, Hathaway seamlessly blends American minimalism with British funk. As for the beauty front, both the warm color palette and side-swept bob offer a friendly approach to cutting-edge style.

Marion Cotillard in Dior: After a less-than-extraordinary  ensemble at the Screen Actors Guild awards, it's safe to say that the style maven has made a comeback. First of all, what better way to brighten up a stormy London night with a sunny yellow hue? The silhouette is half Marilyn Monroe, half modernized sportswear-- a quirky combination, but it works! Progressive and classic. The French actress pumped up the glamour with vibrant lip and retro hair. C'est magnifique!

Eddie Redmayne in Burberry: It seems as if every girl on this planet is obsessed with the Les Miserables star. His boyish charm makes him an instant dreamboat, but it's his risks on the red carpet that truly make fashion groupies swoon. As expected, his latest experiment was a hit. Let's be honest, doesn't the navy make his eyes pop? Swoon.

Hayley Atwell in Antonio Berardi: What's black and white and  chic all over? I'm so smitten with this outfit. Between the sleek black and white color duo and the almighty peplum, this dress is seriously a show-stopper. The natural makeup and the soft waves tones down the dress's extravagance. Brava.

Photos courtesy of The Cut.

xx

I Fancy: Shoes

It should come as no surprise that I love to shop. Scratch that, I'm obsessed. Between devouring my favorite glossies to my time in London, I've been suffocated with inspiration. Consequently, the need to shop and style has become borderline unbearable. But why just keep my fashion fantasies between me and my wallet? Enter my latest blog series, "I Fancy." Check out what I'm craving each week.

As impressive as Big Ben and Kensington Palace are, I can't help but look down... at the local's shoes, obviously. The fearlessness that London's chic elite embrace every single day as they plan their ensembles is inspiring, especially when it comes to their choice of shoes. Gone are the days when simple ballet flats will do. Now, it's all about being an individual, head to toe.

I Fancy: Shoes by kmulvey featuring flat boots

Nicholas Kirkwood platform heels / rag & bone lace up wedge boots, $320 / rag & bone leather shoes / Prada shoes, $620 / Frye / Loeffler Randall / Dr. Martens flat boots, $195 / River Island studded shoes, $48 / AX Paris flat boots, $47


1. Lace-Up Espadrilles: Who needs a pop of color when this funky print offers a similar sartorial punch? Though espadrilles usually scream summer, I couldn't gush about these shoes soon enough. Casual and stylish, these kicks are the ideal transition piece.
2. Doc Martens: Rest assured, these shoes can be chic. Whether paired with skinnies and a cozy beanie or juxtaposed with an ethereal lace dress, Doc Martens are surprisingly versatile. In a versatile color, of course-- bright pink Docs are obviously a "stand out" piece.
3. A Serious Heel: I really mean a serious heel. The daring height plus the juvenile Mary Jane silhouette is genius. Whether you pair them with a classic LBD or rock the nerdy look with a pair of ruffled socks, these shoes are sure to be a hit.
4. Penny Loafers: The middle-aged woman in me is so in love with this anti-trend. Though these shoes are probably as retro as your grandmother's plastic couch, spice them up with a cutting-edge look and allow them to act as a versatile staple.
5. Wedge Booties: Even stiletto-stomping trendsetters have to admit that wedges are the best way to score some much-needed height. Can we say comfortable?  I'm absolutely obsessed with this woodsy approach to the widely popular shape. It's very "Katniss Everdeen hits the catwalk." So smitten.
6. Low Chelsea Boot: Can it get more British than this? the length suggests edgy while the sleek silhouette screams minimalism. Amazing. Plus, these kicks are the perfect going out shoe if you don't want the achy arches in the morning.
7. Desert Boot: Forgo your cowgirl boots and put your best foot forward with the hottest western-inspired shoe. While this may not be your funkiest pair of kicks, they offer the perfect dose of effortless chic.
8. Fun Smoking Loafers: If I had to pick two male style icons to emulate, I'd have to say Liberace (naturally) and Chuck Bass. These masculine loafers? Totally Chuck Bass. The sleek silhouette paired with the canary yellow and braided detailing offers a really cool take on a classic shoe. Basic enough to complete a zany look and crazy enough to be the standout accessory? I'll take a pair!
9. Traditional Slingbacks: Crazy kicks are all the rage; however, it's imperative to go back to the basics every now and then. Unlike my other picks, these offer a sophisticated twist to any ensemble. And deep down, doesn't everyone want to channel their inner Audrey Hepburn? Exactly.

xx

2013 Screen Actor Guild Awards: Revenge of the Glam (Sort of...)

Every year, the Screen Actor Guild Awards serve as a terrible tease. Placed right between the Golden Globes and the Academy Awards, the SAGs is the neglected middle child of awards season. Most years, the fashion is always less-than-perfect, but groupies had something to rejoice about as their favorite superstars rocked this red carpet. At the same time, others fell victim to my "take no prisoner" criticism. So let's get this show on the road, shall we?

The Worst

Jennifer Lawrence in Dior: Simply stated, I'm not impressed. Though her hair and makeup look phenomenal, this ensemble is painfully basic (especially when you end up winning a SAG award). The jewelry is so simple, it's essentially irrelevant and that two-part dress is anything but flattering. Also, why would you wear such a complicated ensemble when you know there's a big chance you will have to stand up to accept an award. Riddle me that, Girl on Fire.

Morena Baccarin in Basil Soda: I'm requesting a moment of silence to reflect on that tragic, unnamed incident that shredded Baccarin's dress. Wait...that never happened? Awkward. Without a doubt, Baccarin is obsessed with the designer; however, it's important to know when an addiction has gone too far. This dress? Too far. Deconstructed dresses can look cool, but the Homeland star looks like she just came back from showgirl gig in Vegas.

Ariel Winter in Alex Perry: Is it just me or does Ariel Winter look like she borrowed the dress from Helen Miren? This up-and-coming red carpet fixture usually wows onlookers with youthful and sophisticated outfits; however, this Alex Perry creation makes her look old. And not in a good way. I think she's absolutely adorable but wish that she wore something with a bit more pizazz. On the bright side, her hair and makeup is lovely!

January Jones in Prabal Gurung:  While I adore both January Jones and Prabal, this look is absolutely tragic. Between the high ruffled neck and the defiant hair, her outfit is reminiscent of a colonial man. Though I appreciate how she always dresses outside of the box, nobody should sport crazy hair with a crazy dress-- you will just look crazy. Period. 

Kaley Cuoco in Romana Keveza:  When I first saw this ensemble , I thought Kaley finally did something right. "Reminiscent of Emma Stone's 2012 SAG ensemble," I concluded. And then I saw the bottom, which is absolutely tragic. But are we surprised? The Big Bang star consistently tops my worst dressed list. That hemline makes her look abnormally short and don't even get me started on those bangs. Please save her! 

Rose Bryne in Valentino: To be rather blunt, there is nothing good about this look. What happened? Rose Bryne is always one of my red carpet favorites and while I always admire her fearless ensembles, this Valentino look marks her sartorial "rock bottom." Forget about that tragic print for a second and just focus on that horrid shape. "Everyone loves wearing side ruffles," said no one ever. Unfortunately, those harsh waves and that poppy lip only make matters worse.

Helen Hunt in Romona Keveza: Over-accessorizing isn't always a good thing.

Lea Michele in Valentino: Once upon a time, Lea Michele ruled the red carpet. She wore casual Catherine Malandrino and glitzy Marchesa. Those were the days. As Glee's decline began, the diva's relevance (on the red carpet and otherwise) decreased as well.  Though she tried to wow us in Valentino, I'm anything but moved. First of all, why would she sport Schiaparelli pink when she already had a rockstar moment in that pink Oscar de la Renta number years ago? Do me a favor and pick a different hue. I suggest eggplant. And no accessories?! This outfit is too basic to go au natural, not to mention the feminiene silhouette prevents any sort of "minimalist look." But the biggest problem with this look? The hair. Don't be fooled-- this is not ombre. It looks as if Michele colored her tips, which is something boys in my third grade class did. For shame, Lea Michele, for shame! 

Marion Cotillard in Dior: Though her courage to wear a full silhouette is admirable, this Dior number disappoints in execution. For me, this ensemble's flaws rest in the simplicity of the accessories-- minimalism is simply not plausible when you are sporting a full skirt. While the simple black pumps would be chic with a sleek sheath, they serve as an anticlimactic finale here. Plus, Cotillard's nonchalant bob looks too casual for this gown. The French actress consistently aces every ensemble, so let's hope this is a one-time mistake.

The Best

Nicole Kidman in Vivienne Westwood: Simply stated, Kidman's sartorial choices improve with age. The Paperboy star keeps it youthful in this column dress. Not only is the shimmery applique every fashion snob's fantasy, that high slit gives Angelina Jolie's infamous ensemble some competition. To balance such a potent gown, Kidman ditched the glitzy accessories and opted for a simple pair of strappy sandals.  The super slick hair is progressive and fresh, albeit the middle part is a little harsh. Just divine! 

Julie Bowen in Johanna Johnson: A leather-esque dress? Though it sounds like something a dominatrix would wear, I'm sort of obsessed with it. I love the contrast between the harsh fabric and a girly silhouette. If you weren't completely in love with this dress, the bejeweled sleeves (which makes this sound like a disaster from the 1980's) give this dress a tame touch. From pantsuits to leather dresses, Bowen never fails to try something new.

Sarah Hyland in Dolce & Gabbana: It seems as if Sarah Hyland is enduring a style evolution. Over the past few award shows, the Modern Family starlet has shed her princess-esque silhouettes and opted for vixen-approved silhouettes. And for the record, it totally works. While this body-hugging dress epitomizes maturity, the jewel tone hue and funky print keep this look age-appropriate. The red carpet rockstar also keeps this look youthful with a relaxed ponytail and a trendy midarm bangle. Amazing.

Kelly Osbourne in Jenny Packham: Never a sartorial wallflower, the Fashion Police co-host entered the red carpet with guns blazing. And by guns, I mean a rampant collection of spikes. As an avid lover of edgy glamour, I'm smitten with this look. Though Osbourne always rocks extravagant frocks, I must say that she nailed it on Sunday night. The tough bodice and clutch are perfectly balanced by the basic silhouette and plain train. To pump up the drama, Osbourne added a bright red lip. The only thing that's wrong with this look is the hair. I'm all for creativity,but  her hair's ridiculous hue is getting old.

Eddie Redmayne in Hugo Boss: I originally hated this ensemble because I saw a very unflattering image. I know, how could you find a bad picture of the Les Miserables hunk? But after looking at this outfit more, I'm absolutely obsessed. The suit is perfectly fitted, plus I love how Redmayne took such a fashion risk by wearing a brown textured suit. Swoon.

Kerry Washington in Rodarte: She has been shutting it down this awards season. But doesn't everyone know that? In my opinion, this look is amazing because it focuses on contrast. I love how crisp the white looks against her skin. I love how inspired that structured bodice looks with the lace train. And I especially love how the sleek updo contrasts the complicated Rodarte ensemble. With Washington's recent stretch of sartorial homeruns, I cannot wait to see what she'll wear to the Academy Awards.

Kiernan Shipka in Oscar de la Renta: I'm usually not so decisive when it comes to my absolute favorite look of the night, but this one is literally the greatest thing that has ever been aired on TBS. Yes, I went there. Polished and age-appropriate, Shipka is absolutely a vision in blush. Not to mention the jewel details on the dress offer a dash of childhood creativity. For a clean look, Shipka keeps her accessories to a minimum and sports a head of soft waves. I seriously see no flaws-- it's almost painfully perfect.

Photos: Courtesy of The Huffington Post and US Weekly.

xx

2013 Golden Globes

Thankfully, awards season is finally here. Let us open a bottle of bubbly and cheer on our favorite movies, shall we? Additionally, the most fierce style competition has begun: the red carpet. Though Amy and Tina apparently killed their hosting gig, London's time difference is sometimes a burden, the red carpet was less-than-fabulous. But in the sea of subpar and average attires were some stellar ensembles. As always, I'm ready to share my best and worst dressed lists.

The Worst.

Amy Poehler in Stella McCartney: It seems as if the Parks and Recreation star is rocking her newfound single girl status; however, those shoes take this ensemble to the street corner. Plunging neckline and strappy platforms? Leslie Knope would be mortified.

Halle Berry in Atelier Versace: This is just horrendous. Not only is this ensemble showing way too much skin for the Golden Globes, that hideous print is making me ill. Berry doesn't need a flashy gown-- she's a classic beauty.

Jessica Chastain in Calvin Klein: Though this outfit is adored by style savants everywhere, I must say that I don't like this look at all. Compared to her series of homerun dresses last season, this Calvin Klein number is less-than-fabulous. Is it just me or is that halter neck extremely unflattering? 

Lena Dunham in Zac Posen: Maybe it's her awkward shoulders or that painfully cheesy smile, but Dunham resembles a preteen boy here. I don't understand why she always dresses so...old (besides the Met Ball, obviously). Dunham is supposedly a visionary, so why doesn't she dress like one?

Sienna Miller in Erdem: I know she just had baby and all, but what is going on here? Plain and unflattering? Good grief. 

Lucy Liu in Carolina Herrera:  Remember when you went to high school dances and there was always that girl who wore an awkwardly long dress? That's Lucy Liu. While this dress is gorgeous, it's definitely not appropriate for this red carpet. Save this for the Met Ball, dear.

Kelly Cuoco in Zahair Murad: Can someone please get this girl a stylist? Time after time, she's on my worst list.  She looks sloppy and as if she's headed to some Bar Mitzvah. Make it stop!

The Best.

Michelle Dockery in Alexander Vauthier: Can you get anymore regal than a white dress with a gilded bodice? Exactly.

Kerry Washington in Miu Miu: Literally, this is perfection. Though the overall silhouette is quite demure, the sparkles and sheer overlay give this look a dash of sex appeal. The long bob and basic accessories perfectly complete this look. All hail the new fashion queen! 

Megan Fox in Dolce & Gabbana: Remember when this starlet was borderline trashy? What a transition! Not only to I respect her sophisticated switch, I adore this look. This blush hue looks absolutely heavenly on the new mommy. Combined with the soft waves and the feminine jewels--perfection! 

Adele in Burberry: As everyone knows, I'm obsessed with Adele. While I think she always looks perfect, this post-baby ensemble is just lovely! Though I wish her outfit had a little more bling, the black gown and  polished updo scream retro glam.

Lea Michele in Elie Saab: Even though Glee is no longer the hottest show on the tube, the petite actress looks better than ever. But then again, Elie Saab makes everyone look better than ever. Unlike her previous show-stoppers, the diva opted for a sleek white number. I adore the halter neck and subtle slit. The hint of emerald adds the perfect splash of color to this angelic look. Brava! 

Eva Longoria in Pucci: Speaking of subtle slits, this is any but subtle.  I'm quite thankful for the slit-- Longoria would've looked too gothic otherwise. From the high bun to the fresh makeup, she looks absolutely chic. Actually, this dress is the antithesis to Michele's Elie Saab creation. But, oddly enough, I love both equally. 

Kate Hudson in Alexander McQueen: Leave it to the queen of cool to rock a boho glam ensemble. The extravagant keyhole screams vixen; however,  the rest of the outfit is sophisticated. Plus, black and gold combination is extremely fantastic. If I could change one thing about this look, I would put her hair in a sleek ponytail-- the long locks just block the ornate neckline. 

Emily Blunt in Michael Kors: I swear that Emily Blunt is my favorite on the red carpet. Every time I see her, she's always rocking a new trend or hot silhouette. Thankfully, the Golden Globes were no different. First of all, whoever is gutsy enough to sport yellow on the red carpet has my undying love and respect. Not to mention the berry earrings combined with the yellow is major. I also applaud Blunt for her originality- cutouts for an award show? Love it! 

Anne Hathaway in Chanel:  Though this look is a little on the plain side, you can't deny that Hathaway is a vision in white. Not only is this column dress uber modern, it's quite different from the actress's other red carpet looks. In fact, it's even different from most column dresses-- the slight peplum creates a more feminine look. Between her sartorial track record and this homerun, I cannot wait to see what she wears next!

All photographs taken from the Huffington Post.

Born in the USA: Madison Maxey's Kickstarter Campaign

The ball has dropped and the halls were decked, but the season of giving is not over yet. Starting today, you can open your hearts (as well your Yves Saint Laurent wallets) to help out a very stylish cause. If you are completely in love with Madison Maxey's custom-made blazers, you'd be a fool to not to help out her KickStarter campaign.

This campaign is about more than daring blazers. It shines light on an American dream: producing items in the land of the free. The goal is to manufacture Madison Maxey blazers in the United States. And though having pieces that were made in some foreign land sounds glamorous,  patriotism never goes out of style.

But it doesn't stop there, style savants: answer a trivia question on Maxey's Kickstarter page and you're eligible to win a free blazer. The season of giving goes both ways!
xx